Adicionar um enredo no seu idiomaFour horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.
- Prêmios
- 1 vitória e 8 indicações no total
Rainer Peets
- German Officer (segment "Time Out")
- (as Remus Peets)
William S. Taylor
- G.I. (segment "Time Out")
- (as William B. Taylor)
Enredo
Você sabia?
- CuriosidadesAs Vic Morrow was waiting to film what would turn out to be the scene that killed him, he allegedly said to a production assistant, "I must be out of my mind to be doing this. I should've asked for a stunt double. What can they do but kill me, right?!" While he was filming Fuga Alucinada (1974), he insisted on having a $1 million life insurance policy before he would shoot any scenes involving the helicopter in which he was due to ride. He was very insistent, and when asked why, Morrow allegedly replied "I have always had a premonition I was going to die in a helicopter crash!"
- Erros de gravaçãoAn exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
- Citações
Car Passenger: Hey... you wanna see something really scary?
- Versões alternativasCBS edited 8 minutes from this film for its 1986 network television premiere.
- Trilhas sonorasNights Are Forever
Performed by Jennifer Warnes
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Bruce Botnick with James Newton Howard
[Segment #1: playing when William enters the bar]
Avaliação em destaque
I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
- Cobbler
- 5 de out. de 1999
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Al filo de la realidad
- Locações de filme
- 15238 Victory Boulevard, Van Nuys, Los Angeles, Califórnia, EUA(bar in segment #1; exterior & interior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.450.919
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.614.366
- 26 de jun. de 1983
- Faturamento bruto mundial
- US$ 29.450.919
- Tempo de duração1 hora 41 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for No Limite da Realidade (1983)?
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