Em 1942, durante a ocupação nazista da França, os parisienses tinham que correr para não perder o último Metrô. Isso prejudicava as encenações teatrais, em particular num teatro onde o diret... Ler tudoEm 1942, durante a ocupação nazista da França, os parisienses tinham que correr para não perder o último Metrô. Isso prejudicava as encenações teatrais, em particular num teatro onde o diretor judeu teve que fugir do país.Em 1942, durante a ocupação nazista da França, os parisienses tinham que correr para não perder o último Metrô. Isso prejudicava as encenações teatrais, em particular num teatro onde o diretor judeu teve que fugir do país.
- Indicado a 1 Oscar
- 13 vitórias e 7 indicações no total
- Valentin - Writer in Hotel Lobby
- (as Rene Dupre)
- Mme. Thierry - Jacquôt's Mother
- (as Rose Thierry)
Enredo
Você sabia?
- CuriosidadesIn his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows." Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout." The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end.
- Erros de gravaçãoIn one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar.
- Citações
Marion Steiner: It takes two to love, as it takes two to hate. And I will keep loving you, in spite of yourself. My heart beats faster when I think of you. Nothing else matters.
- Trilhas sonorasBei mir Bist du Schön
(Vous êtes plus Belle que le Jour)
Music by Sholom Secunda
Lyrics by Jacob Jacobs
English lyrics by Cahn-Chaplin
French lyrics by Jacques Larue
it's thoughtful enough to not type-cast its characters based on how they feel about the war and their political positions. a lot of the characters are pragmatic about their situation, such as the director of the play (jean-loup is his name i think) who opposes the germans, but is willing to consider selling the theatre to Daxiat (a powerful pro-german journalist)to save it. all of the crew dislike Daxiat, but treat him with relative respect so that they can keep their theatre running. Daxiat isn't painted as a completely horrible enemy, but was a man who really looked out for the best interests of the theatre company despite the fact that his political views were opposite of those he admired in the theatre company. the people in this film felt real, cuz ideally, we'd all like to think that when faced with oppression from an outside force, we'd be kicking and screaming all the way until we're free of oppression. but in reality, most of us would probably make compromises and do things against our principles to keep what is most important to us (in this case, it's the theatre and its company for the characters here)
in a way, the film reminded me of wong kar wai's in the mood for love in terms of what it does with its characters. it progresses steadily without a lot of major plot points, and it lets you get to know the characters and let them be real, so you never feel bored at how slow things progress. the characters are well written and well acted so that you care deeply about them.
*comments on the ending up ahead*
there is very little that feels staged and over dramatic, and the outcome seems to progress beautifully and quietly. and i don't know what it is about the ending, but i felt strangely uplifted when the credits rolled.
- snucker
- 9 de jan. de 2004
- Link permanente
Principais escolhas
- How long is The Last Metro?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Last Metro
- Locações de filme
- Clichy, Hauts-de-Seine, França(sets, former chocolate factory)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.007.945
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.206
- 25 de abr. de 1999
- Faturamento bruto mundial
- US$ 3.007.945
- Tempo de duração2 horas 12 minutos
- Mixagem de som
- Proporção
- 1.66 : 1