Esta análise de fontes históricas especula sobre a precisão da representação bíblica de Jesus.Esta análise de fontes históricas especula sobre a precisão da representação bíblica de Jesus.Esta análise de fontes históricas especula sobre a precisão da representação bíblica de Jesus.
Fotos
Jeffry Druce
- Thomas
- (as Jeffrey Druce)
Enredo
Você sabia?
- CuriosidadesSunn Classic Pictures would rent theaters for a two-week period but the initial promos would claim the film would run for "One Week Only." On the 7th day the promos would claim that it was the "Final Day." The next day the television spots and print ads would claim that the film was "Held Over."
- Erros de gravaçãoWhen Jesus walks on the water, the platform just under the surface of the water can be seen,
Avaliação em destaque
As a documentary, this is laughable in a campy sort of way -- a schlocky collection of re-created Biblical tableaux mixed in with solemn interviews of so-called "experts." Think of it as an infommercial which pushes Jesus instead of thigh-masters.
However, the detailed crucifixion scene is, in terms of historical accuracy, superior to similar scenes in such widescreen Hollywood extravaganzas as "Ben-Hur," "King of Kings," and "The Greatest Story Ever Told." Rather than dragging his entire cross to Golgotha, for example, John Rubinstein simply carries his crossbeam strapped across his shoulders to his outstretched arms. Nails aren't driven through his palms but instead through his wrists. His feet aren't nailed separately but one is placed over the other so that just one nail need be used. Incidentally, Rubinstein's flogging prior to his crucifixion ranks 35th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies."
Of course, Rubinstein and the two thieves wear modest loincloths, which probably isn't true to the shameful reality of Roman crucifixions, but allowances must be made. Curiously, the "good" thief is positioned on the left hand of Jesus, which goes against a long-standing tradition. Just why this thief is played by a pudgy, overweight man is, however, a mystery, especially in view of the fact that the "bad" thief is something of a "hunk."
However, the detailed crucifixion scene is, in terms of historical accuracy, superior to similar scenes in such widescreen Hollywood extravaganzas as "Ben-Hur," "King of Kings," and "The Greatest Story Ever Told." Rather than dragging his entire cross to Golgotha, for example, John Rubinstein simply carries his crossbeam strapped across his shoulders to his outstretched arms. Nails aren't driven through his palms but instead through his wrists. His feet aren't nailed separately but one is placed over the other so that just one nail need be used. Incidentally, Rubinstein's flogging prior to his crucifixion ranks 35th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies."
Of course, Rubinstein and the two thieves wear modest loincloths, which probably isn't true to the shameful reality of Roman crucifixions, but allowances must be made. Curiously, the "good" thief is positioned on the left hand of Jesus, which goes against a long-standing tradition. Just why this thief is played by a pudgy, overweight man is, however, a mystery, especially in view of the fact that the "bad" thief is something of a "hunk."
- dinky-4
- 13 de jul. de 2003
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 250.000 (estimativa)
- Tempo de duração1 hora 31 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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Principal brecha
By what name was In Search of Historic Jesus (1979) officially released in Canada in English?
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