This is not so much a film as it is a clip-show "best of" reel with about 60 minutes of original footage to fill in the gaps. Most of this film was shot in Sri Lanka with a few (quite obvious) sections shot in southern Italy and a few completely gratuitous New York scenes thrown in to try to pass the film off as American. Mel Ferrer makes a completely pointless cameo appearance as a professor who gets to interact with two porn actors playing cops (the poor guy!).
Lenzi is usually a great director, but he clearly was not on his A-game with this Cannibal turkey. Not one scene goes by without something completely laughable happening. I'll give you a few examples.
A) one scene showing Mel Ferrer entering a police station features his voice dubbed by another actor! Ferrer then can be heard with his actual voice moments later! B) Ferrer's audio is quite obviously recorded practically, while the other actors in the scene with him are dubbed. Jarringly obvious shift in quality.
C) shamelessly over-acting police-man saying "WHAT?".
D) a scene where a Sri Lankan (well this movie takes place in New Guinea though these people don't look it at all) allows an alligator to effortlessly chomp his dangling arm off. This scene gets double the embarrassment for actually being culled from another movie! E) when the actors "interact" with the Animal cruelty scenes, it's all just close-ups of them reacting intercut with shots from a different film with different filmstock.
F) When Kerman throws a spear at a native (haphazardly), it clumsily falls sideways into the dirt. The next shot shows a screaming native with a spear sticking out of his chest! G) One of the Sri Lankan helicopter pilots (who is dubbed, even) blows his line and they left it in! H) Kerman nonchalantly knocks Agren out with a punch so she doesn't see a gory evisceration.
I) whopping continuity error involving a character's body parts magically reattaching after they were eaten.
J) said scene includes a woman missing her right leg, with a native seen nearby eating a leg... but with a LEFT foot attached to it! Seriously! The list goes on and on. This film is so riotously daft, yet oddly competent in its staging and cinematography, that it's totally unique in the annals of film. The only other film coming close to the lunacy of this is Lenzi's NIGHTMARE CITY which was far more respectable.
This film, at least, is never boring and very accessible to those unfamiliar with bad Italian cinema. Personally I find it funnier than most intentional comedies, which is why it gets such a high rating from me. Whether Lenzi had this in mind or was seriously trying to make a good film is anyone's guess.
