Uma família se dirige a um hotel isolado para o inverno, onde uma presença sinistra influencia a violência do pai, enquanto seu filho psíquico vê presságios horríveis do passado e do futuro.Uma família se dirige a um hotel isolado para o inverno, onde uma presença sinistra influencia a violência do pai, enquanto seu filho psíquico vê presságios horríveis do passado e do futuro.Uma família se dirige a um hotel isolado para o inverno, onde uma presença sinistra influencia a violência do pai, enquanto seu filho psíquico vê presságios horríveis do passado e do futuro.
- Prêmios
- 6 vitórias e 9 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesBecause Danny Lloyd was so young, and since it was his first acting job, Stanley Kubrick was highly protective of the child. During the shooting of the movie, Lloyd was under the impression that the film he was making was a drama, not a horror movie. In fact, when Wendy carries Danny away while shouting at Jack in the Colorado Lounge, she is actually carrying a life-size dummy, so Lloyd would not have to be in the scene. He only realized the truth several years later, when he was shown a heavily edited version of the film. He did not see the uncut version of the film until he was seventeen, eleven years after he had made it.
- Erros de gravaçãoDuring the long shot of the Overlook Hotel in the beginning (right before The Interview title card), the maze cannot be seen, though throughout the rest of the movie it is rather close to the hotel.
- Citações
Jack Torrance: Here's Johnny!
- Cenas durante ou pós-créditosAfter the 146 minute version of the film was met with poor reviews and weak box office in the US, Stanley Kubrick re-edited the film for European release, removing 24 minutes of footage. Included in the removed footage were the entire performances of Anne Jackson as the Doctor and Tony Burton as Larry. However, both Jackson and Burton's names were still listed in the opening credits despite them no longer appearing in the film.
- Versões alternativasABC edited 4 minutes from the film for its 1983 network television premiere.
- ConexõesEdited into Hai-Kubrick (1999)
- Trilhas sonorasThe Shining (Main Title)
Written by Wendy Carlos and Rachel Elkind
Performed by Wendy Carlos and Rachel Elkind
Based on "Dream of a Witches' Sabbath"
From Symphonie Fantastique by Hector Berlioz (traditional requiem "Dies Irae")
Avaliação em destaque
When Jack Torrance (Nicholson) is offered a job as winter caretaker for the Overlook Hotel he accepts it as an opportunity to work on his novel in an isolated environment. He is told stories of the last caretaker going mad and butchering his family but isn't deterred. He arrives at the Overlook Hotel with his wife (Duvall) and child Danny (Lloyd) and is shown around the hotel by the cook (Scatman Crothers) who has the gift of perception. The cook warns Danny that the hotel can be of particular danger for those with the gift. It's only a matter of time before Jack begins to act increasingly erratic.
This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.
The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.
Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.
Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.
The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.
Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.
Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
- bob the moo
- 28 de out. de 2001
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- How long is The Shining?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El resplandor
- Locações de filme
- Timberline Lodge, Mount Hood, Oregon, EUA(Overlook Hotel; exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 19.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.634.352
- Fim de semana de estreia nos EUA e Canadá
- US$ 622.337
- 26 de mai. de 1980
- Faturamento bruto mundial
- US$ 47.959.450
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