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A história de quatro gerações de uma família de músicos descendentes de imigrantes judeus russos ao longo do século XX.A história de quatro gerações de uma família de músicos descendentes de imigrantes judeus russos ao longo do século XX.A história de quatro gerações de uma família de músicos descendentes de imigrantes judeus russos ao longo do século XX.
- Direção
- Roteirista
- Artistas
Mews Small
- Frankie
- (narração)
- (as Marya Small)
Ron Thompson
- Tony
- (narração)
- …
Jerry Holland
- Louie
- (narração)
Lisa Jane Persky
- Bella
- (narração)
Jeffrey Lippa
- Zalmie
- (narração)
Roz Kelly
- Eva Tanguay
- (narração)
Frank DeKova
- Crisco
- (narração)
- (as Frank De Kova)
Rick Singer
- Benny
- (narração)
- (as Richard Singer)
Elsa Raven
- Hannele
- (narração)
Ben Frommer
- Palumbo
- (narração)
Amy Levitt
- Nancy
- (narração)
Leonard Stone
- Leo Stern
- (narração)
Eric Taslitz
- Little Pete
- (narração)
Gene Borkan
- Izzy
- (narração)
Richard Moll
- Beat Poet
- (narração)
Beatrice Colen
- Prostitute
- (narração)
Vincent Schiavelli
- Theatre Owner
- (narração)
Hilary Beane
- Showgirl #1
- (narração)
Enredo
Você sabia?
- CuriosidadesThe two dancers in the "Sing, Sing, Sing (With a Swing)" montage are The Nicholas Brothers, Harold Nicholas and Fayard Nicholas. The animators directly rotoscoped their dance from Tempestade de Ritmo (1943).
- Erros de gravaçãoZalmie and his mother flee the czar in Russia but when they are in the US they speak what some people mistakenly assume is German. They're actually speaking Yiddish, which is similar to German and was the language spoken by Jews in Russia at the time.
- Cenas durante ou pós-créditosDisclaimer before soundtrack listings: The following songs were depicted as being written by fictional characters. The producer would like to thank the true composers.
- Versões alternativasIn some versions of the film, dialog has been redone in at last two scenes, presumably to make points more clear. For example, in Little Pete's first scene, he is asked what his Dad would say about him hanging backstage with a rock band. In one version, Pete says "Nothing. He's dead." In the other version, he instead says "I never met my Dad. He's some kind of mystery" (which serves as a better setup for information learned later) Also, Tony returns to the band's apartment after his release from the hospital, only to find they have moved out. In both versions, under 'People Are Strange,' we hear him on the phone with a friend, but the phone conversations begin completely differently. In one we never learn what happened to the band, only that they seemed to have moved out and left Tony behind, while in the other we learn that the band has gone on to big things, with a gold album. Both versions' phone calls end the same way, though, with Tony desperately asking his friend for money or drugs.
- Trilhas sonorasAmerican Pop Overture
Arranged by Lee Holdridge
Avaliação em destaque
The narrative of this Bakshi animated film follows the showbiz aspirations of a Jewish émigré family through four generations (from turn-of-the-century to the present, i.e. early 1980s), taking in the various turbulent world events and reflecting the often radical changes in culture which occurred during all this time.
An ambitious if heavy-handed undertaking (Bakshi's trademark realism, displayed through rotoscoped animation, occasionally interspersed with stock footage) which is patchy overall but frequently impressive - and undeniably evocative. The necessarily eclectic soundtrack, too, is a major asset even if the last half does lean too heavily on the the hippie/rock scene; it's also amusing how the script presents the band which the protagonist eventually forms part of as the talent behind many of the best-known rock songs from the era by the likes of Big Brother And The Holding Company, Jefferson Airplane, The Jimi Hendrix Experience, The Sex Pistols and even my own favorite, The Velvet Underground!!
An ambitious if heavy-handed undertaking (Bakshi's trademark realism, displayed through rotoscoped animation, occasionally interspersed with stock footage) which is patchy overall but frequently impressive - and undeniably evocative. The necessarily eclectic soundtrack, too, is a major asset even if the last half does lean too heavily on the the hippie/rock scene; it's also amusing how the script presents the band which the protagonist eventually forms part of as the talent behind many of the best-known rock songs from the era by the likes of Big Brother And The Holding Company, Jefferson Airplane, The Jimi Hendrix Experience, The Sex Pistols and even my own favorite, The Velvet Underground!!
- Bunuel1976
- 1 de jan. de 2007
- Link permanente
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- How long is American Pop?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
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By what name was American Pop (1981) officially released in India in English?
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