Perseu deve lutar com a Medusa e o Kraken para salvar Andrômeda.Perseu deve lutar com a Medusa e o Kraken para salvar Andrômeda.Perseu deve lutar com a Medusa e o Kraken para salvar Andrômeda.
- Prêmios
- 2 vitórias e 6 indicações no total
Enredo
Você sabia?
- CuriosidadesDespite being listed on posters and having main title billing, Ursula Andress only has one line in the entire film.
- Erros de gravaçãoAs the destruction of Argos begins, heavy winds blow the tunic of a man pulling a donkey on a rope to reveal a pair of modern-day gym shorts underneath.
- Cenas durante ou pós-créditosIn the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects.
- Versões alternativasThe UK cinema release was cut by the BBFC to secure an 'A' rating and removed the closeup shot of Calibos' trident-hand piercing a man's back, as well as shortening the prolonged shots of Calibos on his knees writhing in agony after a sword has been thrown into his stomach. The cuts were restored in all video/DVD releases and the certificate upgraded to a 15 (12 for the DVD).
Avaliação em destaque
This movie has been a favorite of mine since i was a kid--i was very into Greek mythology during grade school, so i loved this film, even though i've seen it about two dozen times (it continues to be a Sunday-afternoon staple on TV). There are a number of mythological inaccuracies in this film (the Kraken wasn't a mythological monster; Perseus didn't have Pegasus, but actually borrowed Hermes' winged sandals, etc.), but it's still a good kids' introduction to ancient mythology. While the actors playing the "mortals" are definitely inferior to those playing the Gods, i suppose it works in the sense of their being the Olympians' puppets and, well, a little limpness in the thespian department is somewhat de rigeur (as is the wise/comic sidekick of Burgess Meredith and the 'little and cute' factor of the mechanical owl) for the kind of classic matinee swashbuckler that "Clash of the Titans" is.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.
- scorpio-x
- 28 de jul. de 2003
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Furia de titanes
- Locações de filme
- Azure Window, Gozo Island, Malta(final scene with the Kraken)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 41.092.328
- Faturamento bruto mundial
- US$ 41.092.328
- Tempo de duração1 hora 58 minutos
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Fúria de Titãs (1981) officially released in India in Hindi?
Responda