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6,5/10
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Na pequena cidade de Potters Bluff, vários turistas são assassinados por um grupo de moradores, pórem, um tempo depois eles voltam a vida como moradores.Na pequena cidade de Potters Bluff, vários turistas são assassinados por um grupo de moradores, pórem, um tempo depois eles voltam a vida como moradores.Na pequena cidade de Potters Bluff, vários turistas são assassinados por um grupo de moradores, pórem, um tempo depois eles voltam a vida como moradores.
- Prêmios
- 2 indicações no total
Nancy Locke
- Linda
- (as Nancy Locke Hauser)
Joseph G. Medalis
- Doctor
- (as Joe Medalis)
Linda Shusett
- Waitress
- (as Linda Turley)
Enredo
Você sabia?
- CuriosidadesStan Winston's special effects went beyond creating gore for the film. The figure in the full body cast lying in George LeMoyne's hospital bed was a mechanical dummy built by Winston. The life-like detail and elaborate movements the dummy was rigged to make gives the appearance that its a real person and makes the infamous needle-eye stab all the more startling.
- Erros de gravaçãoThe hitchhiker can be seen as a zombie before she is actually killed, reconstructed and brought back to life. This is because the abandoned house scene - where she is clearly visible as one of the dead townfolk - was originally placed in the film after her resurrection.
- Versões alternativasAlthough the original UK cinema version was uncut this film was undeservedly caught up in the British video nasties hysteria in the early eighties, and consequently did not receive an official British video certificate until 1990. Illegally circulated copies of the film, followed by successful prosecutions under the Obscene Publications Act, forced the BBFC to edit 30 seconds from the movie with most cuts being made to the opening burning scene and a brief sequence of a bandaged patient being stabbed in the eye with a syringe. The BBFC fully waived all the edits for the 1999 Polygram video and all subsequent releases are fully uncut.
- Trilhas sonorasSentimental Journey
written by John T. Williams / Benjamin Homer / Bud Green
Avaliação em destaque
Gary Sherman's film Dead & Buried, from a script by Alien writers Ron Shusset and (the late) Dan O'Bannon, is a strange creature of a movie. It's meant to reel in the horror movie crowd, but it's for a crowd of another time period. That is, at least, the filmmaker's intention, and it's the kind of horror movie that might have been made in the 40's (maybe Val Lewton would've produced it, though probably never showing a death on screen), and has a mad mortician, calmly and chillingly played by Jack ("Grandpa Joe" from Willy Wonka) Albertson, bringing back people from the dead and having those dead go after tourists or passerbys who have the dumb luck to travel into town.
Sometimes the gore is meant to be emphasized, like with the death of the fisherman or the doctor who gets acid poured on him. The latter of these is a terrible scene, not just because Stan Winston wasn't involved in the effect (you can tell), but because it's done too much and the camera lingers a little too long. Dead & Buried is helped by it being surreal: the opening scene where the guy is photographing on the beach, comes across the woman and starts to take pictures "for Playboy" and then is overcome by a horde of people also flashing pictured and filming and is killed by fire, is something out of a pure nightmare (you almost expect someone to wake up, but no one does). When it sticks to this dead-undead thing, of the hints at witchcraft and the eerie performances by the Sheriff's wife and some of the townspeople like Robert Englund, make it worthwhile.
Dead & Buried is not what you expect, which is a good and not-so-good thing. It's low-budget and atmospheric, and its ending is a bit of a WTF twist that seems unnecessary. But there's a lot of interest here, a lot of weird effects with cameras and crowds of the undead. Just don't go expecting the usual flesh and guts show, despite what the film's own distributors thought at the time.
Sometimes the gore is meant to be emphasized, like with the death of the fisherman or the doctor who gets acid poured on him. The latter of these is a terrible scene, not just because Stan Winston wasn't involved in the effect (you can tell), but because it's done too much and the camera lingers a little too long. Dead & Buried is helped by it being surreal: the opening scene where the guy is photographing on the beach, comes across the woman and starts to take pictures "for Playboy" and then is overcome by a horde of people also flashing pictured and filming and is killed by fire, is something out of a pure nightmare (you almost expect someone to wake up, but no one does). When it sticks to this dead-undead thing, of the hints at witchcraft and the eerie performances by the Sheriff's wife and some of the townspeople like Robert Englund, make it worthwhile.
Dead & Buried is not what you expect, which is a good and not-so-good thing. It's low-budget and atmospheric, and its ending is a bit of a WTF twist that seems unnecessary. But there's a lot of interest here, a lot of weird effects with cameras and crowds of the undead. Just don't go expecting the usual flesh and guts show, despite what the film's own distributors thought at the time.
- Quinoa1984
- 23 de jan. de 2010
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Cidade dos Mortos-Vivos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Os Mortos Vivos (1981) officially released in India in English?
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