AVALIAÇÃO DA IMDb
7,8/10
3,1 mil
SUA AVALIAÇÃO
Neste sonhador mito popular húngaro, uma deusa dos cavalos dá à luz três poderosos irmãos que se dirigem ao submundo para salvar três princesas de três dragões malvados e recuperar o reino p... Ler tudoNeste sonhador mito popular húngaro, uma deusa dos cavalos dá à luz três poderosos irmãos que se dirigem ao submundo para salvar três princesas de três dragões malvados e recuperar o reino perdido de seus antepassados.Neste sonhador mito popular húngaro, uma deusa dos cavalos dá à luz três poderosos irmãos que se dirigem ao submundo para salvar três princesas de três dragões malvados e recuperar o reino perdido de seus antepassados.
György Cserhalmi
- Fanyüvö
- (narração)
- …
Vera Pap
- Aranyhajú Nyárszépe
- (narração)
- …
Gyula Szabó
- Hétszünyü Kaponyányi Monyók
- (narração)
- …
Ferenc Szalma
- Griffmadár úr
- (narração)
Mari Szemes
- Fehérló
- (narração)
- …
Szabolcs Tóth
- Háromfejü sárkány
- (narração)
- (as Dr. Szabolcs Tóth)
- …
Ottó Ulmann
- Fiatal Fanyüvö
- (narração)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe movie caught the attention of American animation historian Charles Solomon, who convinced Disney to hire director Marcell Jankovics for their proposed animated musical epic "Kingdom of the Sun". Due to numerous production hurdles this project was abandoned, and the comedy A Nova Onda do Imperador (2000) was made instead. Though he was not involved with the finished work, Jankovics still received a production credit. He claims he absolutely hated the film because it had nothing to do with the original idea of a serious mythological epic, calling it a "horrendous, Las Vegas-style comedy show". He accepted the offer to work on the project mainly to fund his own film, Az ember tragédiája (2011), though he claimed to have made a couple friends at Disney and stole some of their colored pencils when no one was looking.
- Erros de gravaçãoThe official English subtitles mistranslate one of the dragons' lines. When the White Mare gets pregnant with her third son, the dragons threaten the giant snake holding the Mare prisoner by saying "If you cannot deal with this, her third son, your life will be over." The subtitles have the dragons threaten the Mare instead of the snake, saying "You cannot provide milk for a third son, and so your life ends here." The translator probably misheard the outdated phrase "ha te evvel" (if you with this) as "a tejeddel" (with your milk).
- Cenas durante ou pós-créditosBefore the credits begin scrolling, a looped animation of Treeshaker walking amidst a smoggy, polluted cityscape is played accompanied by eerie "technological" noises play. As he walks, the smog slowly engulfs him until he is gone. According to the director, this short segment is the most important part of the movie because it encapsulates his core messages. Treeshaker is a traditional hero of old and the city around him references the 12-headed city dragon that he had fought in the film. The scene means that the destructive urbanization and pollution of modernity causes humans to forget about their values. The stars on the sky remind us of the old traditions but the rising buildings and smog make them vanish from view. In the end, although Treeshaker defeated the dragons, the darkness represented by the dragons might win out.
- Versões alternativasThe film's Hungarian and Russian home video releases were incorrectly color-graded. The 1983 Soviet VHS release was entirely green toned, while the 2005 Hungarian DVD (the most commonly watched version prior to the 2019 remaster) had an overly high saturation and was tinted pink and blue, muddying the reds and yellows. Neither of these accurately represented the film's original colors and both got entirely rid of grays, which can be best seen on the originally gray Three-Headed Dragon. The 2019 4K high-def remaster by Arbelos Films and the Hungarian Filmlab finally restored the film's original colors and revealed finer shading details that have been previously hidden by incorrect color-grading.
- ConexõesFeatured in MsMojo: Top 10 Weirdest Animated Movies (2019)
Avaliação em destaque
My first impression is I really wish I had had this blu ray back in college when I would hang out with my favorite film school friend who was into super surrealist/abstract art (and his cool roommates) for many stoned hours with watch like Hawking and David Gilmour present: Fractals and the 2001 Jupiter sequence synced to Echoes. Clearly, Marcel Jankovics and his crew pool through fluid, Slippery, angular and playfully metaphorical animation (notice the Dragon looks more like a city or many steel buildings in one) a monumental synthesis of myths we may not be familiar with but absolutely are familiar with is a peak of those kinds of times.
Second impression: Jankovics isn't creating a terribly complex story, and I get if that doesn't draw some into this, but to put it bluntly I don't mind. I don't need this to give me the Feels ala Pixar, I wanted something going in that could challenge how the medium of animation could be challenged and transformed and even transcended, and he and his crew did that and then some. I'm not even sure how many in the world of more modern animation have seen it, but it's hard not to see its influence on like 85% of Adult Swim and even some Anime. But it doesn't need to be remarked upon as influential to be something so compelling; it's through how it makes Myths feel vital that counts, how Shapes and color and the movement of forms is one thing, and finding new ways to create and make new forms is another.
It reminds me of how when one learns about old myths in school, even back to foundational ones like Gilgamesh, that it can sometimes take a little time (maybe too much depending on the teacher) to get into what makes them work. Jankovics doesn't have that problem because he has the propulsion of immersing us in the experience of... wherever this is supposed to be in these kingdoms and forests and what seems like a far out cosmos, places where a Gnome with a Beard can be congruous with a woman who has many tears to shed because of all the time with that seven headed dragon.
It's trippy, maybe the trippiest/trance-inducing movie ever made (a friend I watched it with remarked that this could very well be what we could've gotten with Jodorowsky's Dune), but it doesn't lose sight, at least to me, of the heroes journey and making it a feast for the senses. If they had only managed to snag a Prog-Rock group to do the soundtrack, I guarantee it would have been a Midnight Movie with success on par with the rest of them.
Second impression: Jankovics isn't creating a terribly complex story, and I get if that doesn't draw some into this, but to put it bluntly I don't mind. I don't need this to give me the Feels ala Pixar, I wanted something going in that could challenge how the medium of animation could be challenged and transformed and even transcended, and he and his crew did that and then some. I'm not even sure how many in the world of more modern animation have seen it, but it's hard not to see its influence on like 85% of Adult Swim and even some Anime. But it doesn't need to be remarked upon as influential to be something so compelling; it's through how it makes Myths feel vital that counts, how Shapes and color and the movement of forms is one thing, and finding new ways to create and make new forms is another.
It reminds me of how when one learns about old myths in school, even back to foundational ones like Gilgamesh, that it can sometimes take a little time (maybe too much depending on the teacher) to get into what makes them work. Jankovics doesn't have that problem because he has the propulsion of immersing us in the experience of... wherever this is supposed to be in these kingdoms and forests and what seems like a far out cosmos, places where a Gnome with a Beard can be congruous with a woman who has many tears to shed because of all the time with that seven headed dragon.
It's trippy, maybe the trippiest/trance-inducing movie ever made (a friend I watched it with remarked that this could very well be what we could've gotten with Jodorowsky's Dune), but it doesn't lose sight, at least to me, of the heroes journey and making it a feast for the senses. If they had only managed to snag a Prog-Rock group to do the soundtrack, I guarantee it would have been a Midnight Movie with success on par with the rest of them.
- Quinoa1984
- 19 de fev. de 2022
- Link permanente
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- Son of the White Mare
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- Faturamento bruto mundial
- US$ 9
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By what name was O Filho da Égua Branca (1981) officially released in India in English?
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