Deathstalker 3: Os Guerreiros do Inferno

Many commenters have failed to mention something that sets this movie apart from the other deathstalker sequels... namely, the lack of stock footage. To me nothing is more annoying in a fantasy movie than when the elements of fantasy are yanked from other movies that did a good job(For example, Almost every Fred Olen Ray movie you can get your hands on will have stolen footage of stop motion dinosaurs from a masterpiece called planet of the dinosaurs.) Deathstalker 2 and 4 are horrible about this problem. they feature minutes upon minutes of unmistakable battle scenes from the first deathstalker. Now I suppose part 3 isnt entirely innocent since it yanks the theme song from battle beyond the stars, but thats okay. Also, I would like to mention that people who see a cover of a deathstalker movie and are disappointed to find the movie is nothing like it are falling for the oldest trick in the exploitation book. Deathstalker 3 is by no means a classic. its a little bit boring and this time the guy playing deathstalker isn't as cool, but I give it much credit for not showing me scenes from the other movies in the series.

As a avid watcher of Mystery Science Theater 3000, I am used to the bottom of the cinematic barrel. However this movie is so irritating, it is in a category of pain all its own.

First, John Allen Nelson makes a particularly loathsome 'hero' as Deathstalker. His arrogance comes off angering, and his attempts at sexuality come off as repulsive. You don't believe that anyone has ever desired his help or praised him. Plus, his accent lasts about 2 lines.

Second, the support characters are laughable. The princess is wooden and unpleasant. The other characters are overacted and thoroughly unbelievable-especially in the case of Thom Christopher (Troxartas).

Lastly, it is possible to make a good movie with a low budget. It is also possible to turn this type of movie into light-hearted and fun. But, with the hideous characters, bad editing, and vague plot, this movie feels pained and leaves you caring less what happened and praying they didn't make Deathstalker 4.

The only positive thing I can say is that the MST3K crew does a decent job of poking fun at it, although it is obviously painful for them as well.

It is impossible to understand why they made this film.

Apparently, that is what the filmmakers were thinking, too, as they didn't even try. And their lack of trying is what is inexcusable.

MST3K did it justice.

The action is nonexistent, the "Warriors From Hell" never quite get their act together, and the hero is an unlikable prig, but this film does contain a bewitching performance by "Potato Loving Woman" (Claudia Inchaurregui).

Claudia "Potato Loving Woman" Inchaurregui, despite her small role, imbues the film with a sense of heart. Buried beneath inches of grime and muck, wearing a burlap sack and sporting hair that would shame even Dee Snider, "Potato Loving Woman" has a sense of quiet dignity altogether missing in the other female characters in the film, especially the frigid princess played by the Kirstie Ally-eqsue Carla Herd.

So, Claudia Inchaurregui, I don't know where you are now, but know that my life was forever changed when I heard you utter those magical words... "Potatos are what WE eat".

My review was written in May 1989 after watching the film on Vestron video cassette.

Third edition in Concorde's "Deathstalker" series is a bland, made-in-Mexico affair constituting little more than a title and pretty package for undiscriminating video retailers.

Soap opera thesp John Allen Nelson is miscast in title role, smirking his way through a non-adventure in a mythical medieval land searching for the secret treasure city of Erendor. He accompanies Princess Carissa (Carla Herd) and her big diamond in quest for a matching stone. She's killed and he finds her twin Princess Elezena (also Herd) and eventually to matching gems, for chintzy visual effects when the powerful diamonds are joined.

Herd is upstaged by a pretty Amazonian warrior played by Claudia Inchaurregui, as well as Concorde regular Terri Treas as a villainess with arch dialog readings. Nelson's all-American approach is way out of place and supporting cast is weak. Previous pics in this series had some campy material but this one's a stiff.