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Movido pelo trabalho do diretor Yasujirô Ozu, Wim Wenders viaja ao Japão em busca do Tóquio visto nos filmes de Ozu.Movido pelo trabalho do diretor Yasujirô Ozu, Wim Wenders viaja ao Japão em busca do Tóquio visto nos filmes de Ozu.Movido pelo trabalho do diretor Yasujirô Ozu, Wim Wenders viaja ao Japão em busca do Tóquio visto nos filmes de Ozu.
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Wim Wenders: It felt good just to look out the window. If only it were possible to film like that, I thought to myself, like when you open your eyes sometimes just to look without wanting to prove anything.
- ConexõesFeatured in De zee die denkt (2000)
Avaliação em destaque
Tokyo-Ga is a 1985 documentary film directed by Wim Wenders about filmmaker Yasujiro Ozu. Wenders travels to Japan and narrates the movie as he explores the world of Ozu, alternating scenes where he observes Japan and culture with interviews with crew and cast-members from Ozu's films. Wim Wenders says, "If in our century something sacred still existed
if there were something like a sacred treasure of the cinema, then for me that would have to be the work of the Japanese director, Yasujiro Ozu. He made fifty-four films. Silent films in the Twenties, black-and-white films in the Thirties and Forties, and finally color films until his death on December 12th, 1963, on his sixtieth birthday. As thoroughly Japanese as they are, these films are, at the same time, universal. In them, I've been able to recognize all families, in all the countries of the world, as well as my parents, my brother and myself. For me, never before and never again since has the cinema been so close to its essence and its purpose: to present an image of man in our century, a usable, true and valid image, in which he not only recognizes himself but from which, above all, he may learn about himself. Ozu's work does not need my praise and such a sacred treasure of the cinema could only reside in the realm of the imagination. And so, my trip to Tokyo was in no way a pilgrimage. I was curious as to whether I still could track down something from this time, whether there was still anything left of this work. Images perhaps, or even people
Or whether so much would have changed in Tokyo in the twenty years since Ozu's death that nothing would be left to find.
- lucila-glionna
- 16 de fev. de 2009
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- How long is Tokyo-Ga?Fornecido pela Alexa
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