Ivan Reitman traz para você o Big Shots, uma aventura de comédia de grande impacto, com um coração tão grande quanto Chicago.Ivan Reitman traz para você o Big Shots, uma aventura de comédia de grande impacto, com um coração tão grande quanto Chicago.Ivan Reitman traz para você o Big Shots, uma aventura de comédia de grande impacto, com um coração tão grande quanto Chicago.
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Você sabia?
- CuriosidadesThe script was bought by Lorimar for $1.25m, which was a record for a spec script at the time.
- Citações
Johnnie Red: I can walk on water, eat bullets, and shit ice cream!
- Trilhas sonorasFreedom Overspill
Written by Steve Winwood (as Stevie Winwood), George Fleming and James Hooker
Performed by Steve Winwood (as Stevie Winwood)
Courtesy of Island Records
Avaliação em destaque
For some reason, 'Big Shots' has struck upon some sort of revival, as this seems to be the topic of many inquiries on the messageboards. I remember watching this film as a kid, and again when I rescued it from the video stores a few years ago. I loved it and still love it now, despite some of the innocuous family elements because it allowed the young characters (12 year-olds on the run) to have more independence and recognition that family films sometimes do.
Ricky Busker and Darius McCrary are the main characters of the story. You'll probably recognize little Darius right away, as he later enjoyed a pretty long run older brother 'Eddie' on the old ABC tv series, 'Family Matters.'
Obie (Busker) is broken hearted over the loss of his father, and takes off, kind of running away from his problems. Leaving his Illinois suburbs, he gets himself lost Chicago's South Side, where he befriends a runaway and professional con named Scam (Darius). Together, they embark on a wild adventure and get themselves in quite some trouble when they inadvertently get wind of some gangsters who go out of their way to eliminate the two "loose ends." With the help of Scam's knowledge of the streets, Obie's optimism, and a slick fellow named Johnny Red (the wonderful, late Paul Winfield), they can take care of themselves.
There's a subplot to the boy's adventures involving father's and families. Obie's father died, someone who he was extremely close to. He comes from a decent, upper middle-class home in the safe surroundings of the white Illinois suburbs. Obie's more structered, asking about religion and things like that.
Contrast this with his pal Scam, who grew up fatherless and presumeably, family-less, in the run down streets of Chicago's South Side. Scam operates under a different structure, a different set of rules, doing what he has to in order to stay alive. And in the end, Obie agrees to help Scam look for his father, as a sort of way of connecting Scam to his father in a way he can not with his own.
I loved this movie as a kid. The kids weren't annoying or excessively whining or sentimental (though Obie could sometimes manifest these qualities in the beginning). They were aware of things, of their families, their lifestyles, their surroundings. And they weren't afraid of things, despite being faced with some pretty relentless gangsters. They were cool kids!
Ricky Busker and Darius McCrary are the main characters of the story. You'll probably recognize little Darius right away, as he later enjoyed a pretty long run older brother 'Eddie' on the old ABC tv series, 'Family Matters.'
Obie (Busker) is broken hearted over the loss of his father, and takes off, kind of running away from his problems. Leaving his Illinois suburbs, he gets himself lost Chicago's South Side, where he befriends a runaway and professional con named Scam (Darius). Together, they embark on a wild adventure and get themselves in quite some trouble when they inadvertently get wind of some gangsters who go out of their way to eliminate the two "loose ends." With the help of Scam's knowledge of the streets, Obie's optimism, and a slick fellow named Johnny Red (the wonderful, late Paul Winfield), they can take care of themselves.
There's a subplot to the boy's adventures involving father's and families. Obie's father died, someone who he was extremely close to. He comes from a decent, upper middle-class home in the safe surroundings of the white Illinois suburbs. Obie's more structered, asking about religion and things like that.
Contrast this with his pal Scam, who grew up fatherless and presumeably, family-less, in the run down streets of Chicago's South Side. Scam operates under a different structure, a different set of rules, doing what he has to in order to stay alive. And in the end, Obie agrees to help Scam look for his father, as a sort of way of connecting Scam to his father in a way he can not with his own.
I loved this movie as a kid. The kids weren't annoying or excessively whining or sentimental (though Obie could sometimes manifest these qualities in the beginning). They were aware of things, of their families, their lifestyles, their surroundings. And they weren't afraid of things, despite being faced with some pretty relentless gangsters. They were cool kids!
- vertigo_14
- 23 de jul. de 2004
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- How long is Big Shots?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Big Shots
- Locações de filme
- Hinsdale, Illinois, EUA(school)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.390.043
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.417.738
- 4 de out. de 1987
- Faturamento bruto mundial
- US$ 3.390.043
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