AVALIAÇÃO DA IMDb
5,4/10
12 mil
SUA AVALIAÇÃO
O arquiteto Paul Kersey enfrenta os membros de um cruel cartel de drogas de Los Angeles para interromper o fluxo de drogas depois que a filha da sua namorada morre de overdose.O arquiteto Paul Kersey enfrenta os membros de um cruel cartel de drogas de Los Angeles para interromper o fluxo de drogas depois que a filha da sua namorada morre de overdose.O arquiteto Paul Kersey enfrenta os membros de um cruel cartel de drogas de Los Angeles para interromper o fluxo de drogas depois que a filha da sua namorada morre de overdose.
Soon-Tek Oh
- Det. Phil Nozaki
- (as Soon-Teck Oh)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesTo cut down on the budget, the scene where Kersey goes to the cinema to meet Nathan was actually filmed at The Cannon Group, Inc.'s viewing theater.
- Erros de gravaçãoIn the morgue scene, when the body of an eighteen-year-old male is uncovered, the "corpse's" eyes visibly move.
- Citações
Rapist: Who the fuck are you?
Paul Kersey: Death!
- Versões alternativasGerman VHS release by Cannon/VMP misses an unimportant scene of 3 seconds, probably because of bad master-material. In TV airings, most of the violence has been edited out. It was also BPjM indexed (which means certain sales & advertisement restrictions) in Germany from 1989-2017, and since its deletion from that list, the original "not under 18" rating was eventually restored.
- ConexõesFeatured in Los Angeles Por Ela Mesma (2003)
- Trilhas sonorasIn Some Brazil
Written, Arranged, Performed and Produced by Michael Bishop
Avaliação em destaque
Charles Bronson, back again as vigilante / architect Paul Kersey, goes back to the L.A. setting in this fourth "Death Wish" movie, the first not directed by Michael Winner (that honour goes to J. Lee Thompson, another frequent collaborator). Kersey is dating reporter Karen Sheldon (Kay Lenz), whose teen daughter Erica (Dana Barron, a.k.a. the original Audrey Griswold) overdoses on cocaine. He then takes up a stranger (John P. Ryan) on his proposal: get the city's competing drug empires to go to war with each other. This Kersey does in his inimitable style, with the body count hitting very respectable numbers.
The story (by Gail Morgan Hickman) is patently nonsensical, with holes in the plot to match the many bullet holes in the onslaught of expendable henchmen. That said, it IS entertaining, straightforward stuff: action-packed, gleefully violent nonsense with an anti-drug message to justify itself. At least by having Bronson take on entire gangs (in part 3) and these criminal organizations here provides enough of a spin on the standard "Death Wish" formula. You have to wonder why Kersey would ever get close to anybody, though, since from that day on they seem to grow targets on their backs.
At the end of the day, there are enough amusing moments to make the thing worth watching, such as Bronson's response to a thug inquiring why Bronson is in his kitchen. And there is absolutely no shortage of utterly scummy bad guys whose demises we can cherish. But none of it can quite match the opening credit sequence in a parking garage: it provides a punchline that's more interesting than anything that follows.
An ageing Bronson is still a potent hero here, and he receives capable support from much of the cast. Lenz is sorely under-utilized, but Ryan, Soon-Tek Oh (as a police detective), and Perry Lopez (as one of the drug kingpins) are all good. You can also play "spot the familiar face", because there's a bunch of them: George Dickerson, Danny Trejo, Mike Moroff, Tom Everett, Irwin Keyes, Tim Russ, Mark Pellegrino, and Mitch Pileggi. Trejo exits the picture in hilarious fashion.
Fairly good fun overall, the movie is best recommended to undiscriminating action fans.
Six out of 10.
The story (by Gail Morgan Hickman) is patently nonsensical, with holes in the plot to match the many bullet holes in the onslaught of expendable henchmen. That said, it IS entertaining, straightforward stuff: action-packed, gleefully violent nonsense with an anti-drug message to justify itself. At least by having Bronson take on entire gangs (in part 3) and these criminal organizations here provides enough of a spin on the standard "Death Wish" formula. You have to wonder why Kersey would ever get close to anybody, though, since from that day on they seem to grow targets on their backs.
At the end of the day, there are enough amusing moments to make the thing worth watching, such as Bronson's response to a thug inquiring why Bronson is in his kitchen. And there is absolutely no shortage of utterly scummy bad guys whose demises we can cherish. But none of it can quite match the opening credit sequence in a parking garage: it provides a punchline that's more interesting than anything that follows.
An ageing Bronson is still a potent hero here, and he receives capable support from much of the cast. Lenz is sorely under-utilized, but Ryan, Soon-Tek Oh (as a police detective), and Perry Lopez (as one of the drug kingpins) are all good. You can also play "spot the familiar face", because there's a bunch of them: George Dickerson, Danny Trejo, Mike Moroff, Tom Everett, Irwin Keyes, Tim Russ, Mark Pellegrino, and Mitch Pileggi. Trejo exits the picture in hilarious fashion.
Fairly good fun overall, the movie is best recommended to undiscriminating action fans.
Six out of 10.
- Hey_Sweden
- 29 de mai. de 2019
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Desejo de Matar 4: Operação Crackdown
- Locações de filme
- 10790 Wilshire Boulevard, Los Angeles, Califórnia, EUA(As Frank Bauggs' home)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.880.310
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.466.557
- 8 de nov. de 1987
- Faturamento bruto mundial
- US$ 6.880.310
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