AVALIAÇÃO DA IMDb
6,8/10
7,5 mil
SUA AVALIAÇÃO
A história do cantor de ópera Carlo Broschi, que cativou o público europeu do século XVIII com seu nome artístico Farinelli.A história do cantor de ópera Carlo Broschi, que cativou o público europeu do século XVIII com seu nome artístico Farinelli.A história do cantor de ópera Carlo Broschi, que cativou o público europeu do século XVIII com seu nome artístico Farinelli.
- Indicado a 1 Oscar
- 6 vitórias e 4 indicações no total
Enredo
Você sabia?
- CuriosidadesBoth male and female voices were combined to create the sound of Farinelli's singing voice. The male voice was Derek Lee Ragin, a British countertenor and the female Ewa Malas-Godlewska, a Polish mezzo-soprano.
- Erros de gravaçãoLIGHTING. In scenes that show stage lights and chandeliers, the focus on them is softened, but it can still be seen that the "lamps" and "candles" are in fact far too steady, and too smokeless, to be or to contain live flame. Gaslight was not brought into theatres until just after 1800 (in England), and limelight -- with real quicklime -- around 1820. Also, some outdoor lighting -- outside palaces, etc. -- is obviously too bright, blue- or green-shaded, smokeless, and sharp-edged to come from a bonfire.
- Citações
Carlo Broschi: I admire your nerve, madame, in daring to defy Handel.
Countess Mauer: Women are very strong, signor Farinelli. Men's weaknesses make it necessary.
- ConexõesFeatured in The 52nd Annual Golden Globe Awards (1995)
- Trilhas sonorasOmbra fedele anch'io
[Dario's Solo: Act II, Scene XI, from Opera "Idaspe"]
Composed by Riccardo Broschi, Libretto by G.P. Candi and Domenico Lalli (1730, Venice)
Vocals performed by Ewa Malas-Godlewska (Soprano) and Derek Lee Ragin (Countertenor)
Avaliação em destaque
This movie is about Farinelli, one of the famous Castro Singers during the 18th century. He had the voice of an angel when he was a boy and since his family was very poor, an operation of castration was done to him in order to preserve his voice and help his family out in poverty. There were some strange parts during this film such as when he got older he and his brother Riccardo traveled together and never left each other. His brother was there during Farinelli's lovemaking in order to complete and finish the task that his brother could not do since he had been castrated. And then there was the white horses that Farinelli saw every time danger was present or near. This warning was not clearly explained in the film. The acting was very good. I enjoyed the variation of languages of French and Italian with a little bit of English thrown in. The costumes were excilent and the way the actors portrayed the characters during that past time period were done good. One makes you feel sorry for Farinelli because of what he did lack and also makes you feel for him because everybody would make a specticle of him because of his castration and the fact that he could not complete the task of lovemaking (personally..... I do not think that he really needed that, he was good being his own person anyway). Farinelli's popularity had worn down during the middle of his career due to his excessive use of opium in which his brother provided for him in order for him to sleep and get rid of any pain or stress. During the end of the movie we find that it is Riccardo that turned his little brother in because of his ability to sing and thus help his poor familiy. Not much is mentioned of his familiy but in the beginnig of the movie we do know that his family was poor and Farinelli offered himself as well as his voice because his voice was all that he did have in order to stay alive. This movie was a good film and I give it about a 7. There were several parts in the film that were not clearly explained and that was the only flaw.
- lthseldy1
- 2 de abr. de 2001
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- How long is Farinelli?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- 絕代艷姬
- Locações de filme
- Empresas de produção
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