Norman Bates relembra a sua infância com a sua mãe abusiva, enquanto teme que o seu futuro filho herde o seu transtorno de dupla personalidade.Norman Bates relembra a sua infância com a sua mãe abusiva, enquanto teme que o seu futuro filho herde o seu transtorno de dupla personalidade.Norman Bates relembra a sua infância com a sua mãe abusiva, enquanto teme que o seu futuro filho herde o seu transtorno de dupla personalidade.
- Prêmios
- 1 indicação no total
CCH Pounder
- Fran Ambrose
- (as C C H Pounder)
Tom Schuster
- Chet Rudolph
- (as Thomas Schuster)
Alice Hirson
- Mother
- (narração)
Ryan Finnegan
- Child Norman
- (as Ryan Finnigan)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesWhen filming the first murder scene, Henry Thomas got so involved in the stabbing that part of the knife went into his hand which caused some nerve damage. To this day, he still has a scar.
- Erros de gravaçãoNorman uses strychnine to poison his mother and her lover. The lethal dose of strychnine is around 10mg and Norman's bottle reads 1.5mg/oz. He puts a maximum of 4oz into the ice-tea. Even if his mother and her lover drank the whole pitcher, it would have hardly killed them. Furthermore, strychnine is one of the most bitter substances known to man, it's highly unlikely to be swallowed by accident, even in very small doses.
Avaliação em destaque
Inspired by a local call-in radio show topic, the psychotic killer calls in and begins recalling his time as a youth, and as he goes through his life story and all of the mental torture inflicted on him he's able to uncover the horrible secrets that puts everyone around him in danger.
As the concluding chapter to one of the greater series around, it really could've been great. The main aspect that works here is the fact that the film gives away its plotline through flashbacks, but it does it while not being utterly confusing. That is a major feat in itself, since this is able to clearly keep the flashbacks and the modern time in a rather easy manner, a technique which rarely works since that mostly leaves the film a big, huge mess. The backstage antics both at the radio-station once they figure out the their caller and trying to keep him under control and the different stories that are told over the course of the interview, ranging from the first set of killings in the motel to the way the actual incidents he always described which give this some really fun moments that have always been apart of the franchises' legacy from the start, helped along nicely by the glorious psychological ranting that's included along the way. The other rather enjoyable aspect here is the final part of the film is a very creepy and suspenseful part, and it really hits the right mark on just about every angle being filled with chases, the strategic hiding places, and the Gothic-style thunder and lightning striking all throughout to make it a very creepy scene and end it on a high note. These are it's best moments as it's a rather flawed film, and it shows at times. The one biggest flaw is that it doesn't gel with the rest of the series all that much. These are big spoilers but the film mostly just makes up several events and ideas and places them together with new ideas and elements, which not always gel at all with most of what's been said about the series and the past. It might be a problem for the most hardcore fans as it's such a rapid departure, but there is a pretty noticeable shift that does occur. The other is that the first half of the film is really slow, as it concentrates on the life of Norman and his mother. It doesn't invoke any scares at all and mainly just seems to be there only for the building up of the story and not on making scares, which is rather crucial here. None of these issues make for all that creepy a series of scenes and it just causes the film to drag on with its simple one-note setup. Other than these two problems, it's not that bad a film.
Rated R: Violence, Language and Nudity.
As the concluding chapter to one of the greater series around, it really could've been great. The main aspect that works here is the fact that the film gives away its plotline through flashbacks, but it does it while not being utterly confusing. That is a major feat in itself, since this is able to clearly keep the flashbacks and the modern time in a rather easy manner, a technique which rarely works since that mostly leaves the film a big, huge mess. The backstage antics both at the radio-station once they figure out the their caller and trying to keep him under control and the different stories that are told over the course of the interview, ranging from the first set of killings in the motel to the way the actual incidents he always described which give this some really fun moments that have always been apart of the franchises' legacy from the start, helped along nicely by the glorious psychological ranting that's included along the way. The other rather enjoyable aspect here is the final part of the film is a very creepy and suspenseful part, and it really hits the right mark on just about every angle being filled with chases, the strategic hiding places, and the Gothic-style thunder and lightning striking all throughout to make it a very creepy scene and end it on a high note. These are it's best moments as it's a rather flawed film, and it shows at times. The one biggest flaw is that it doesn't gel with the rest of the series all that much. These are big spoilers but the film mostly just makes up several events and ideas and places them together with new ideas and elements, which not always gel at all with most of what's been said about the series and the past. It might be a problem for the most hardcore fans as it's such a rapid departure, but there is a pretty noticeable shift that does occur. The other is that the first half of the film is really slow, as it concentrates on the life of Norman and his mother. It doesn't invoke any scares at all and mainly just seems to be there only for the building up of the story and not on making scares, which is rather crucial here. None of these issues make for all that creepy a series of scenes and it just causes the film to drag on with its simple one-note setup. Other than these two problems, it's not that bad a film.
Rated R: Violence, Language and Nudity.
- kannibalcorpsegrinder
- 10 de nov. de 2018
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Psicose 4: O Começo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
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By what name was Psicose 4: A Revelação (1990) officially released in Canada in English?
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