Richard Dees, um jornalista de um tablóide sensacionalista sai em busca de um aviador misterioso, uma espécie de vampiro que pilota à noite e vai fazendo vítimas pelos aeroportos onde passa.Richard Dees, um jornalista de um tablóide sensacionalista sai em busca de um aviador misterioso, uma espécie de vampiro que pilota à noite e vai fazendo vítimas pelos aeroportos onde passa.Richard Dees, um jornalista de um tablóide sensacionalista sai em busca de um aviador misterioso, uma espécie de vampiro que pilota à noite e vai fazendo vítimas pelos aeroportos onde passa.
- Prêmios
- 1 vitória e 2 indicações no total
- Claire Bowie
- (as Richard Olsen)
- Terminal Cop #2
- (as Bob Casey)
- Linda Ross
- (as Deann Korbutt)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn the scene where Katherine is looking at all of Richard's bylines, the framed copies of "Inside View" contain many references to other stories by Stephen King: "Springhill Jack Strikes Again!" (Strawberry Spring), "Headless Lamaze Leads To Successful Birth!" (The Breathing Method), "Kiddie Cultists in Kansas Worship Creepy Voodoo God!" (Children of the Corn), "Satanic Shopkeeper Sells Gory Goodies!" (Needful Things), "Naked Demons Levelled My Lawn!" (The Lawnmower Man) and "The Ultimate Killer Diet! Gypsy Curse Flays Fat Lawyer's Flesh" (Thinner).
- Erros de gravaçãoRichard is leaving a small rural airport when he swerves to avoid hitting an oncoming pickup truck. As he does this you hear the squealing tires but he is driving on a dirt road.
- Citações
Ezra Hannon: What paper you say you're from?
Richard Dees: Inside View, you know it?
Ezra Hannon: Oh yeah. My wife Martha reads your paper. After she's done with it, I use it to line our kitty's toilet box. Soaks that cat piss real good.
- Versões alternativasThe U.K. DVD includes a few more seconds of gore in the massacre sequence at the end. 1) The camera pans over the corpses on the floor a second time (right to left), and we get a closer shot of a black man, cut in half. The reporter stops and takes a photo of this. He then looks to his right, before proceeding further into the room. Duration: Approx. 18 seconds. Now, this is how the scene plays in the US cut: After the reporter enters the building, the camera pans over the corpses scattered on the floor, from left to right. After that the film cuts to a close up shot of the reporter holding his flash light and looking around. Instead of the insert mentioned above however, the US cuts directly to the next two corpses on the floor (a woman with a neck wound). 2) A close up shot of Dees holding his flashlight and looking around is longer in this cut (after he walks away from the woman with the neck wound and the other corpse). In the US cut we see him look straight ahead and then the film cuts directly to the dead woman at the counter. However, the US disc omits the following: Dees looks to his left and there are three quick shots of a severed head on the floor. He walks further and looks down, and there's a severed arm there. The camera pans up from the arm and shows some more of the interiors in a wide shot. Duration: 14 seconds 3) Before the night flier feeds Dees his blood, there is a longer gore scene: The shot showing him cutting his arm open with his long nail has more spurting blood and lasts longer. Also, the camera pans / tilts from the wound and up to the Night flier's face. In other words: A one shot with a camera pan / tilt. The US cut on the other hand uses an alternate shot / take from a different angel, to make the scene less explicit. First we see the first second of the cutting & blood flow in a large close up, and then the US cuts to a front shot of the vampire finishing the cutting. Around 2 seconds of gore missing here. 4) The exploding head in the black and white sequence is longer.
- ConexõesFeatures Crocodilo Assassino (1989)
- Trilhas sonorasRed
Performed by Sister Machine Gun
Written by Chris Randall
Published by KMFDM Ent. (BMI)
Courtesy of Wax Trax! Records / TVT Records
Most people complain that Miguel Ferrer's character, Richard Dees, is too mean, or something like that. QUIT COMPLAINING PEOPLE! He's suppose to be an utterly heartless, sleazy, sorry excuse of a person. You're not suppose to feel sorry for him at all as he descends to insanity. Instead having such a terrible lead character is suppose to pose the question whose the real monster? Or, actually I think it'd be more accurate to say, whose the real hero? Is there a hero? Ferrer pulls off the performance perfectly, making a character that could make James Woods or Clint Eastwood whimper in fear. Unfortunately the rest of the cast doesn't do so well, and this pulls in the movie down a little way.
Anyway, Pavia himself has a talent for gloomy atmosphere, with his overcast, gray skies and quiet music and always just slightly-off-angle photography. He expertly subdues the beginning 2/3s of the movie and then throws a bloodbath at us. It's a very well planned and a shocking move on his part.
"The Night Flier" kicks into major gear towards the end. The final, final conclusion is a little weak, but it really couldn't have ended any other way.
Overall, the couple flaws drag "The Night Flier" down to a good but not great movie, but the really cool climax and other elements make up for it, and make it a good time. Be warned, it won't leave you feeling happy or good.
- SodaCan
- 16 de out. de 1999
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- The Night Flier
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 125.397
- Fim de semana de estreia nos EUA e Canadá
- US$ 91.549
- 8 de fev. de 1998
- Faturamento bruto mundial
- US$ 125.397
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1