Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.
- Prêmios
- 6 vitórias e 16 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesElmore Leonard said that this is the best film adapted from one of his books.
- Erros de gravaçãoAfter he visits Martin Weir's house, Chili's minivan is pointing in a different direction.
- Citações
Harry Zimm: I once asked this literary agent, uh, what kind of writing paid the best... he said, "Ransom notes."
- Versões alternativasA line of dialogue from John Travolta is missing from the UK 2-disc edition. The line "So You're Trying to Say You're Never Gonna Sleep Again?" comes directly after the credits as a question to Martin Ferrero's character. The line is dubbed and subtitled, and the music plays out as usual, so it's not an audio glitch. The line is present on the first UK MGM-release.
- Trilhas sonorasA Woman, A Lover, A Friend
Written by Syd Wyche
Performed by Booker T. & the M.G.s (as Booker T. & The MG's)
Courtesy of Atlantic Recording Corporation
By Arrangement with Warner Special Products
Avaliação em destaque
This film is based on the Elmore Leonard book of the same name. This is a hilarious satire of Hollywood. Chili Palmer (John Travolta) is a loan shark from Miami tracking down a deadbeat who has run off. Palmer's travels take him to Hollywood, where he meets Harry Zimm (Gene Hackman). Zimm is a producer of major motion pictures (read B horror flicks). His lover is Karen (Rene Russo). His meetings give Palmer the "movie bug."
Already a huge movie fan, Palmer decides to produce "Mr. Lovejoy" a script that Zimm proclaims will be hs "Driving Miss Daisy." The plot centers around efforts to raise the necessary money and land Martin Weir (Danny DeVito) in the lead role. Fortunately Weir is Karen's es-husband. And Palmer has access to $300,000 generated from Las Vegas winnings of the missing deadbeat, Leo. As a further complication there is a drug dealer (Delroy Lindo) who has invested in one of Zimm's pictures. But he has gotten in trouble with his supplier for $500,000 and a missing nephew.
DeVito does a wonderful job playing the self-involved, pretentious Weir. There are wonderful comments about screen writers. Spelling is optional, not necessary. The role of a screenwriter is just to put the commas in where they belong. Travolta is delightful as a "nice guy" wiseguy. In fact, the entire cast is just great.
The plot lines never overwhelm the film, and they fit together like a jigsaw puzzle. (Note: Thanks to Pulp Fiction, studios are willing now to use non-linear plot lines on occasion.). The ending is terrific (watch for the cameo by Harvey Keitel). I saw this in the theatre and have seen it several times on video. This one is definitely a keeper.
Already a huge movie fan, Palmer decides to produce "Mr. Lovejoy" a script that Zimm proclaims will be hs "Driving Miss Daisy." The plot centers around efforts to raise the necessary money and land Martin Weir (Danny DeVito) in the lead role. Fortunately Weir is Karen's es-husband. And Palmer has access to $300,000 generated from Las Vegas winnings of the missing deadbeat, Leo. As a further complication there is a drug dealer (Delroy Lindo) who has invested in one of Zimm's pictures. But he has gotten in trouble with his supplier for $500,000 and a missing nephew.
DeVito does a wonderful job playing the self-involved, pretentious Weir. There are wonderful comments about screen writers. Spelling is optional, not necessary. The role of a screenwriter is just to put the commas in where they belong. Travolta is delightful as a "nice guy" wiseguy. In fact, the entire cast is just great.
The plot lines never overwhelm the film, and they fit together like a jigsaw puzzle. (Note: Thanks to Pulp Fiction, studios are willing now to use non-linear plot lines on occasion.). The ending is terrific (watch for the cameo by Harvey Keitel). I saw this in the theatre and have seen it several times on video. This one is definitely a keeper.
- Phoenix-36
- 25 de jan. de 1999
- Link permanente
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- How long is Get Shorty?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El nombre del juego
- Locações de filme
- 1017 N Crescent Drive, Beverly Hills, Califórnia, EUA(Martin Weir's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.250.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 72.101.622
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.700.007
- 22 de out. de 1995
- Faturamento bruto mundial
- US$ 115.101.622
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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