O publicista Stuart Shepard está preso em uma cabine telefônica, encurralado pelo fuzil de um atirador. Incapaz de sair ou receber ajuda externa, a negociação de Stuart com o interlocutor le... Ler tudoO publicista Stuart Shepard está preso em uma cabine telefônica, encurralado pelo fuzil de um atirador. Incapaz de sair ou receber ajuda externa, a negociação de Stuart com o interlocutor leva a um espantoso clímax.O publicista Stuart Shepard está preso em uma cabine telefônica, encurralado pelo fuzil de um atirador. Incapaz de sair ou receber ajuda externa, a negociação de Stuart com o interlocutor leva a um espantoso clímax.
- Prêmios
- 1 vitória e 8 indicações no total
- Negotiator
- (as James Macdonald)
Enredo
Você sabia?
- CuriosidadesThe phone actually worked, and there was someone on the other line talking to Colin Farrell speaking as the caller, but Kiefer Sutherland's voice was added in during post-production.
- Erros de gravaçãoAt the end of the movie as Stu (Colin Farrell) lies in the ambulance after being shot, he is given medication for the pain which makes him very disoriented just in time for The Caller (Kiefer Sutherland) to show up and taunt him. The person who administered the medication just hops out of the ambulance. Any time an injured person would be given such a strong medicine, they would be monitored to ensure that they have no negative reaction.
- Citações
Stu: I have never done anything for anybody who couldn't do something for me. I string along an eager kid with promises I'll pay him money. I only keep him around because he looks up to me. Adam, if you're watching, don't be a publicist. You're too good for it. I lie in person and on the phone. I lie to my friends. I lie to newspapers and magazines who, who sell my lies to more and more people. I am just a part of a big cycle of lies, I should be fuckin' president. I wear all this Italian shit because underneath I still feel like the Bronx. I think I need these clothes and this watch. My two thousand dollar watch is a fake and so am I. I've neglected the things I should have valued most. I valued this shit. I take off my wedding ring to call Pam. Kelly, that's Pam. Don't blame her. I never told her I was married. And if I did she, she would have told me to go home. Kelly, looking at you now, I'm ashamed of myself. All right? I mean, I work so hard on this image, on Stu Shepherd, the asshole who refers to himself in the third person, that I only proved I should be alone. I have just been dressing up as something I'm not for so long, I'm so afraid no one will like what's underneath. But here I am, just flesh and blood and weakness, and uh and I love you so fucking much. And, um, I take off this ring because it only reminds me of how I've failed you, and I don't, don't want to give you up. I want to make things better, but it may not be my choice anymore. You deserve better.
- Cenas durante ou pós-créditosThe 20th Century Fox logo blends into the white clouds that open the film.
- Versões alternativasThe FX Network airs this movie with Jared Leto's deleted scene reinserted to bring up the film's running time to fit a two-hour block.
- ConexõesFeatured in Noite de Sexta Manhã de Sábado (2007)
Everyone knows that it had a small budget, a shooting window of just over a week and that it was made years ago and shelved as Farrell's star power increased and real life terrorist attacks and snipers came and went in the media and the mind of the American public. So I'll not dwell on that and instead talk of the film! The pitch was enough to get me interested `man is held in phone box by sniper' sounds great! I really wanted to see this film but was put off by the trailer, but not of the films I saw wrong in the trailer were to the detriment of the film as over 80-odd minutes it really runs like a race horse.
Starting with humour and a free-flowing pace it turns sinister early on but keeps the pace. In terms of plot it has many good twists and turns that will keep you interested and on the edge of your seat. The only issue for me was accepting why the sniper was doing it and how he was able to get access to the equipment he would have needed as well as the information not to mention the WILL to do it! Also little things bugged me, but the film carries itself over these obstacles well enough and reservations are soon forgotten. It sounds simple but the simple ideas work best and, although low on action (sorry, teen boys!) it is driven by dialogue and simply not knowing what will come next.
The direction helps the film by constantly moving and using split screens etc to give the impression that a lot is going on at once again making the film feel like it has a fast pace. It feels a little gimmicky (especially now that we've had 2 series of 24 doing the same thing) but it works regardless. I wrote in an old review (8mm I think) that I would never pay to see a Joel Schumacher film ever again, and I DIDN'T pay to see Phone Booth! However I was surprised because he didn't ruin it! He did a good job yes, you heard me! His usual excesses seem to have been controlled by a good producer and editing team and the film works much to my surprise and relief!
Farrell may not be a bona-fide Hollywood star yet but he takes the task of being onscreen for almost the whole film and runs with it. He makes a comically cruel character someone that reveals himself to be a loser but never loses the audience and that takes talent. Sutherland's voice on the trailer didn't work for me (too normal and slow) but in the film he is excellent, like the director said, no-one else could have done the role, he is right for it. Whitaker makes up the third lead and he holds his corner well.
It may not be without the odd flaw but this film manages to be simple, gripping and very effective. Well worth a look.
- bob the moo
- 27 de fev. de 2003
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Enlace mortal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.566.212
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.021.088
- 6 de abr. de 2003
- Faturamento bruto mundial
- US$ 97.837.138
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1