AVALIAÇÃO DA IMDb
5,1/10
41 mil
SUA AVALIAÇÃO
Em 1947, após renunciar sua fé, o Padre Merrin se junta a uma escavação arqueológica no Quênia, onde uma antiga igreja é descoberta e algo muito mais antigo aguarda para ser despertado.Em 1947, após renunciar sua fé, o Padre Merrin se junta a uma escavação arqueológica no Quênia, onde uma antiga igreja é descoberta e algo muito mais antigo aguarda para ser despertado.Em 1947, após renunciar sua fé, o Padre Merrin se junta a uma escavação arqueológica no Quênia, onde uma antiga igreja é descoberta e algo muito mais antigo aguarda para ser despertado.
- Prêmios
- 6 indicações no total
Israel Oyelumade
- Jomo
- (as Israel Aduramo)
Lydia Darly
- Sebituana's Wife
- (as Lidia Darly)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesMorgan Creek Productions fired Paul Schrader after he had submitted a completed movie, saying that he had given them "footage without any of the bloody violence the backers had wanted". He had already made it clear in interviews that he was making more of a psychological drama than an all-out gore-fest. He was fired and Renny Harlin was hired to re-shoot the movie. Almost 90% of the movie was re-shot, re-casting several roles and adding and removing characters. Following the lackluster reception to Harlin's version, though, Schrader's version was finally released as Domínio: Prólogo de O Exorcista (2005).
- Erros de gravação(at around 1h 19 mins) Father Gionetti gives Father Merrin a copy of the Rituale Romanum (Roman Ritual). (The administration of exorcism is in Title X of the Rituale Romanum.) The title of the book embossed on its leather cover is "Roman Ritual", in English. Later in the film (at around 1h 35 mins), Father Merrin asks Joseph to help him by reading passages of the book, and we are shown a couple of printed pages, the text of which is also in English. The Rituale Romanum would have been printed in Latin in 1949, when the film is set, because vulgar translations of liturgical texts were not authorized until the promulgation of the Sacrosanctum Concilium (Constitution on the Sacred Liturgy) by Pope Paul VI on 4 December 1963, as part of the Second Vatican Council.
- ConexõesEdited into Domínio: Prólogo de O Exorcista (2005)
Avaliação em destaque
Here's a film which had a more interesting story behind the cameras rather than on the screen. This beleaguered production originally had Paul Schrader directing, but studio bosses were unhappy with his more intellectual interpretation of the events so they hired go-to guy Renny Harlin for extensive reshoots that amped up the gore content. What emerges is a troubled, visceral production with occasional flashes of greatness. Overall it's a let down, with a sense of what could have been rather than what is.
The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.
As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.
Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.
The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.
As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.
Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.
- Leofwine_draca
- 23 de fev. de 2011
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 41.821.986
- Fim de semana de estreia nos EUA e Canadá
- US$ 18.054.001
- 22 de ago. de 2004
- Faturamento bruto mundial
- US$ 78.110.021
- Tempo de duração1 hora 54 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What is the Canadian French language plot outline for O Exorcista: O Início (2004)?
Responda