This is a silent film with a heavy overlay of narration, provided by several of its fictional characters, and a cool musical soundtrack illegally swiped from LPs. A short list of composers whose works are featured in 4-D WITCH includes: Mussorgsky ("Night on Bald Mountain"), Wagner (the finale of TRISTAN UND ISOLDE, scored for piano and orchestra), Rimsky-Korsakov ("Scheherazade"), and Pink Floyd (the 1968 studio version of "Saucerful of Secrets").
Basically, 4-D WITCH is just a series of erotic events strung together by narrators. I enjoyed the narration of "Cindy," the central character whose flirtation with sexual witchcraft gives the movie its focus. Whoever provided her voice did a great job characterizing Cindy as a "game young innocent." Dial enough 1-900 numbers and you may get to speak with her yourself.
Visually, 4-D WITCH is a mess, with psychedelic light shows, bizarre superimposed images of masks and frightening faces, and occasional straight shots of the characters that serve as "establishing shots" for the special effects. Everybody seems caught up in a psychic whirlpool, from which the only way out is down, down, down.
Despite its interesting and amusing elements, the film's amateurish editing, the incoherence of the "plot" and the random/shuffle nature of the soundtrack all help 4-D WITCH to overstay its welcome long before the final reel starts rolling. The abrupt, unresolved ending would be confusing, were it not a great relief! Someone should convert 4-D WITCH into a "loop" and send it to Abu Ghraib, where it can be put to its best possible use.
