AVALIAÇÃO DA IMDb
7,3/10
8,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDocumentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).
- Prêmios
- 4 vitórias e 13 indicações no total
Eddie Albert
- Self
- (cenas de arquivo)
Peter Bart
- Self
- (cenas de arquivo)
Charlie Bluhdorn
- Self
- (cenas de arquivo)
William Castle
- Self
- (cenas de arquivo)
- (as Bill Castle)
Francis Ford Coppola
- Self
- (cenas de arquivo)
Catherine Deneuve
- Self
- (cenas de arquivo)
Charles Evans
- Self
- (cenas de arquivo)
Josh Evans
- Self
- (cenas de arquivo)
- (as Joshua Evans)
Mia Farrow
- Self
- (cenas de arquivo)
Errol Flynn
- Self
- (cenas de arquivo)
Ava Gardner
- Self
- (cenas de arquivo)
Karen Greenberger
- Self
- (cenas de arquivo)
Ernest Hemingway
- Self
- (cenas de arquivo)
Arthur Hiller
- Self
- (cenas de arquivo)
Henry Kissinger
- Self
- (cenas de arquivo)
Ali MacGraw
- Self
- (cenas de arquivo)
Steve McQueen
- Self
- (cenas de arquivo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe soundtrack narration, in which Robert Evans portrays all the other characters as well as himself, is taken directly from the recording of the audio-book version of his autobiography.
- Erros de gravaçãoThe closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing.
- Citações
Robert Evans: There are three sides to every story: Your side, my side, and the truth. And no one is lying. Memories shared serve each differently.
- Cenas durante ou pós-créditosThe closing credits include 1976 footage of Dustin Hoffman doing an impersonation of a future Robert Evans of 1996.
- ConexõesEdited from O Beijo da Morte (1947)
- Trilhas sonorasSin Titulo
Performed by Chico O'Farrill
Written by Fernando Castro Valencia, Pepe del Rio, Ruben Berrios
Published by Peer International Corp.
Courtesy of the Verve Music Group
Under license from Universal Music Enterprises
Avaliação em destaque
7 out of 10
It is hard to resist this documentary even though it seems more like self promotion. The fact that this man has attained what others could only dream about makes it a must see itself. Robert Evans certainly does seem to embody every stereotype one could imagine when they think of a Hollywood producer. He is rich and suave, he wears big, tinted glasses, dresses in gaudy suits, hosts wild parties, dates beautiful women, and lives in a beautiful, serene Hollywood home. You would think that he would almost have to be a caricature, but he isn't. His stories involving famous Hollywood celebs, both past and present, could alone fill a movie if not several.
Of course that is the problem with the documentary. It all seems a bit too Hollywood. Everything seems a bit phoney and too far removed from the average person. He seems, in a way, to have made a production out of himself. The film, like the man, is very deliberate and highly glossy. It depends almost exclusively on some very well transferred old photographs and elaborate stills. At no time do we ever get someone else's viewpoint or perspective. Evans shows no ability at having any self depreciating humor or humbleness. His determination and gutsiness is inspiring yet it would have been nice to see Evans as a child and a little bit more on his upbringing. Also the dialogue between him and his then wife Ali Macgraw seems really weird and only adds to the mythical quality of the thing.
Evans does all the narrating and proves to be quite a character and showman. His ability to do different accents and voices is impressive. The whole thing is very fluid and it gets you involved in a hypnotic sort of way. You also gotta love his saying, which was taken from an old Chinese proverb "Luck is when opportunity meets good preparation."
It is hard to resist this documentary even though it seems more like self promotion. The fact that this man has attained what others could only dream about makes it a must see itself. Robert Evans certainly does seem to embody every stereotype one could imagine when they think of a Hollywood producer. He is rich and suave, he wears big, tinted glasses, dresses in gaudy suits, hosts wild parties, dates beautiful women, and lives in a beautiful, serene Hollywood home. You would think that he would almost have to be a caricature, but he isn't. His stories involving famous Hollywood celebs, both past and present, could alone fill a movie if not several.
Of course that is the problem with the documentary. It all seems a bit too Hollywood. Everything seems a bit phoney and too far removed from the average person. He seems, in a way, to have made a production out of himself. The film, like the man, is very deliberate and highly glossy. It depends almost exclusively on some very well transferred old photographs and elaborate stills. At no time do we ever get someone else's viewpoint or perspective. Evans shows no ability at having any self depreciating humor or humbleness. His determination and gutsiness is inspiring yet it would have been nice to see Evans as a child and a little bit more on his upbringing. Also the dialogue between him and his then wife Ali Macgraw seems really weird and only adds to the mythical quality of the thing.
Evans does all the narrating and proves to be quite a character and showman. His ability to do different accents and voices is impressive. The whole thing is very fluid and it gets you involved in a hypnotic sort of way. You also gotta love his saying, which was taken from an old Chinese proverb "Luck is when opportunity meets good preparation."
- rwint
- 19 de mar. de 2004
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Kid Stays in the Picture?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Kid Stays in the Picture
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.439.232
- Fim de semana de estreia nos EUA e Canadá
- US$ 89.087
- 28 de jul. de 2002
- Faturamento bruto mundial
- US$ 1.521.593
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Show Não Pode Parar (2002) officially released in India in English?
Responda