AVALIAÇÃO DA IMDb
6,4/10
12 mil
SUA AVALIAÇÃO
Quando Anna e sua família chegam à sua casa de férias, eles a encontram ocupada por estranhos. Este confronto é apenas o início de um doloroso processo de aprendizagem.Quando Anna e sua família chegam à sua casa de férias, eles a encontram ocupada por estranhos. Este confronto é apenas o início de um doloroso processo de aprendizagem.Quando Anna e sua família chegam à sua casa de férias, eles a encontram ocupada por estranhos. Este confronto é apenas o início de um doloroso processo de aprendizagem.
- Prêmios
- 2 vitórias e 1 indicação no total
Florence Loiret Caille
- Nathalie Azoulay
- (as Florence Loiret-Caille)
Enredo
Você sabia?
- CuriosidadesAs of 2017, this is the only film directed by Michael Haneke to have been screened in the official selection of the Cannes Film Festival without playing in the main competition. This is because that year's jury president, Patrice Chéreau, was part of the cast.
- ConexõesFeatured in Inthierryview (2008)
- Trilhas sonoras2nd mouvement: Adagio molto espressivo
Taken from "Sonata for piano & violin nº5 in F major, op. 24"
Composed by Ludwig van Beethoven
Performed by Yehudi Menuhin and Hephzibah Menuhin
Avaliação em destaque
A French woman (Isabelle Huppert) and her two young children struggle for survival shortly after an unidentified apocalypse. This is a very different sort of post-apocalyptic film--it is very minimalist and dramatic. The most fascinating aspect is that whatever happened to the world is never explained or even discussed by the characters. The only thing they know is that uncontaminated water is scarce and personal belongings are very valuable. They are living in the present, fighting for survival. The characters are often devoid of extreme emotion during the crises they face in the film, so the viewer assumes that whatever happened that changed the world must have been graphic and brutal.
Haneke is an exceptional filmmaker and has quite an eye. The combination of lingering camera-work and lack of score create an uneasy tension. Some might argue that the movie is boring because there isn't much action, but I thought it was visually stunning. The movie attempts to be about post-apocalypse social struggle and power--including conflict between different nationalities and genders--but it could have been more successful in doing this. The acting is outstanding (especially by Huppert and the actress that plays her daughter). Even though she gets co-billing, Beatrice Dalle is only in the film for a bit, but she does have a "Betty Blue"-style freak-out. I recommend this to anyone who likes post-apocalypse movies and is interested in seeing a hauntingly realistic one.
My Rating: 7/10
Haneke is an exceptional filmmaker and has quite an eye. The combination of lingering camera-work and lack of score create an uneasy tension. Some might argue that the movie is boring because there isn't much action, but I thought it was visually stunning. The movie attempts to be about post-apocalypse social struggle and power--including conflict between different nationalities and genders--but it could have been more successful in doing this. The acting is outstanding (especially by Huppert and the actress that plays her daughter). Even though she gets co-billing, Beatrice Dalle is only in the film for a bit, but she does have a "Betty Blue"-style freak-out. I recommend this to anyone who likes post-apocalypse movies and is interested in seeing a hauntingly realistic one.
My Rating: 7/10
- ThrownMuse
- 5 de abr. de 2005
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- Também conhecido como
- Time of the Wolf
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 61.439
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.560
- 27 de jun. de 2004
- Faturamento bruto mundial
- US$ 499.149
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