Em 1885, no Novo México, uma curandeira da fronteira forma uma aliança problemática com seu alienado pai, quando sua filha é sequestrada por um bruxo Apache.Em 1885, no Novo México, uma curandeira da fronteira forma uma aliança problemática com seu alienado pai, quando sua filha é sequestrada por um bruxo Apache.Em 1885, no Novo México, uma curandeira da fronteira forma uma aliança problemática com seu alienado pai, quando sua filha é sequestrada por um bruxo Apache.
- Prêmios
- 2 vitórias e 8 indicações no total
Matthew E. Montoya
- Tsi Beoyuao - Blowing Tree
- (as Matthew Montoya)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesTommy Lee Jones and Eric Schweig learned some Chiricahua Apache for this film. Their instructors were two of the last three remaining fluent speakers.
- Erros de gravaçãoJones and Dot were wearing hats before they were washed downstream during the flash flood. But when they were climbing out of the water onto dry land, they weren't wearing their hats. In the next scene when they were riding their horses they were wearing their hats again. There is no way they could have found their hats after the flash flood.
- Citações
Maggie Gilkeson: I've never worked on an Indian before
Samuel Jones: [Sarcastically] They have green blood and a pinecone where their heart should be
- Versões alternativasAlthough the film was shot in the Super 35 format for 2.39:1 and protected for 1.33:1, the VHS and the Full Screen DVD mostly Pans and Scans as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are. Only a few shots in this movie were reframed properly.
- ConexõesEdited into New Frontiers: Making 'The Missing' (2004)
- Trilhas sonorasThe Daring Young Man on the Flying Trapeze
(uncredited)
Lyrics by George Leybourne
Music by Gaston Lyle
Avaliação em destaque
`The Missing' is as close to a feminist movie as can be telling a story that engrosses on the traditional level of the Western without offending warring cultural factions. Cate Blanchette plays a frontier single mom and local healer, whose teenage daughter is abducted by Apaches and army deserters to sell for prostitution in Mexico.
She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.
Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.
Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.
Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.
The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'
She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.
Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.
Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.
Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.
The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'
- JohnDeSando
- 26 de nov. de 2003
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Las desapariciones
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.011.180
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.833.633
- 30 de nov. de 2003
- Faturamento bruto mundial
- US$ 38.364.277
- Tempo de duração2 horas 17 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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By what name was Desaparecidas (2003) officially released in India in Hindi?
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