Um menino foge da sua casa e navega para uma ilha cheia de criaturas que o consideram seu rei.Um menino foge da sua casa e navega para uma ilha cheia de criaturas que o consideram seu rei.Um menino foge da sua casa e navega para uma ilha cheia de criaturas que o consideram seu rei.
- Prêmios
- 7 vitórias e 54 indicações no total
Catherine O'Hara
- Judith
- (narração)
Forest Whitaker
- Ira
- (narração)
James Gandolfini
- Carol
- (narração)
Michael Berry Jr.
- The Bull
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn July 2006, less than six weeks before the start of shooting, the Henson-built monster suits arrived at the Melbourne soundstage where Spike Jonze and his crew had set up their offices. The actors climbed inside and began moving around. Right away, Jonze could see that the heads were absurdly heavy. Only one of the cast members appeared to be able to walk in a straight line. A few of them called out from within their costumes that they felt like they were going to tip over. Jonze and the production crew had no choice, but to tell the Henson people to tear apart the fifty-pound heads, and remove the remote-controlled mechanical eyeballs. This meant that all the facial expressions would have to be generated in post-production, using computers.
- Erros de gravaçãoWhen Max says, "Wow!" when he sees Carol's world built from sticks, an earpiece is visible in Max Records' ear.
- Citações
[last lines]
The Bull: Hey, Max?
Max: Yeah?
The Bull: When you go home, will you say good things about us?
Max: Yeah, I will.
The Bull: Thanks, Max.
Judith: You're the first king we haven't eaten.
Alexander: Yeah, that's true.
Judith: See ya.
Alexander: Bye, Max.
Max: Bye.
KW: Don't go. I'll eat you up; I love you so.
[all howl]
- Cenas durante ou pós-créditosThe logos for Warner Bros., Legendary Pictures, and Village Roadshow Pictures are covered with Max's scribblings.
- ConexõesFeatured in The Rotten Tomatoes Show: Duplicity/Knowing/I Love You, Man (2009)
- Trilhas sonorasWorried Shoes
Written by Daniel Johnston
Produced by Karen O and Tom Biller (as tbiller)
Performed by Karen O and the Kids
Courtesy of DGC/Interscope Records
Avaliação em destaque
Where the Wild Things Are, one of the most beloved children's books, comes to the big screen in one of the most highly anticipated films of the year. Spike Jonze, the man responsible for Being John Malcovich, Adaptation, and several Beastie Boys music videos including "Sabotage", brings the tale to life. I must admit, I have been anxiously awaiting this film for several months, something I don't like to do too often as it sets up for a potential major let down.
Well, that didn't happen this time.
We follow Max (Max Records), a boy who is lonely and misunderstood. His sister doesn't pay attention to him, his mother is busy with work and her boyfriend, and he has worries at school. All he wants is attention and to belong. One night, he finally breaks and runs away. He makes his way to the woods and to the waters edge. There he finds a small boat and set out on the open sea, leaving everything behind him.
He comes across an island and goes ashore. There he finds a group of monsters in turmoil. Max seizes his opportunity and confronts the group. He tells them that he is a great king and help them solve their problems.
I don't want to give too much of the story away because I feel like telling it would ruin some of the magic. This is one of the most visually pleasing films I have seen in a long time. Jonze filmed in Australia. We are given vivid landscapes of lush forests, arid deserts, and beautiful shorelines, culminating in an almost Lord of the Rings like experience. These spectacular settings would rarely be beaten in magnificence in another film, but here they come second to the unbelievable special effects used for the monsters.
There are seven monsters on the island. Carol, Ira, Judith, KW, Douglas, Alexander, and The Bull. They all have unique features and are of massive size. Jonze could have gone two ways here. He could have completely made them all CG or he could have gone Jim Henson and turned them into Muppets. Instead, he carved a third path and combined the other two options. Max is able to interact extremely well with the gigantic puppet/suits, but the faces are edited with computer graphics, giving them startlingly realistic features and expressions. Making these monsters any different way would have been disastrous.
Another key aspect of the monsters is giving them a voice. Jonze chose excellent voice actors with James Gandolfini, Forrest Whitaker, Catherine O'Hara, Lauren Ambrose, Paul Dano, and Chris Cooper. They each have their own personality that compliments their physical and emotional characteristics.
Aside from the monsters, I was very impressed with Max. He is asked to do a very demanding thing: be a kid. That sounds easy, but it is very easily messed up. I'm interested in finding out how much freedom Jonze gave Records in certain scenes that called for him to go "wild". I can imagine directing young actors is not the easiest thing to do, but sometimes you catch a break when you get a talented one.
Giving life to these characters is a spectacular screenplay by Jonze and Dave Eggers (who wrote Away We Go). Their writing speaks to both kids and adults, using language that is meaningful and easy to understand. The things Max goes through every child feels growing up: loneliness, fear, belonging, etc.
There is so much to love about this movie. It speaks to the heart. But before you head out with the whole family, heed this warning. Some parts of this film might be too intense for younger audience members. Certain scene involving the monsters might be a bit too overwhelming. Yes, these monsters are friendly, but they are monsters, meaning they are large, intimidating, and somewhat scary.
Where the Wild Things Are will satisfy, entertain, and open your eyes. Spike Jonze poured everything he had into this film and the wait was well worth it. I hope you will fall under its spell just as I did.
Well, that didn't happen this time.
We follow Max (Max Records), a boy who is lonely and misunderstood. His sister doesn't pay attention to him, his mother is busy with work and her boyfriend, and he has worries at school. All he wants is attention and to belong. One night, he finally breaks and runs away. He makes his way to the woods and to the waters edge. There he finds a small boat and set out on the open sea, leaving everything behind him.
He comes across an island and goes ashore. There he finds a group of monsters in turmoil. Max seizes his opportunity and confronts the group. He tells them that he is a great king and help them solve their problems.
I don't want to give too much of the story away because I feel like telling it would ruin some of the magic. This is one of the most visually pleasing films I have seen in a long time. Jonze filmed in Australia. We are given vivid landscapes of lush forests, arid deserts, and beautiful shorelines, culminating in an almost Lord of the Rings like experience. These spectacular settings would rarely be beaten in magnificence in another film, but here they come second to the unbelievable special effects used for the monsters.
There are seven monsters on the island. Carol, Ira, Judith, KW, Douglas, Alexander, and The Bull. They all have unique features and are of massive size. Jonze could have gone two ways here. He could have completely made them all CG or he could have gone Jim Henson and turned them into Muppets. Instead, he carved a third path and combined the other two options. Max is able to interact extremely well with the gigantic puppet/suits, but the faces are edited with computer graphics, giving them startlingly realistic features and expressions. Making these monsters any different way would have been disastrous.
Another key aspect of the monsters is giving them a voice. Jonze chose excellent voice actors with James Gandolfini, Forrest Whitaker, Catherine O'Hara, Lauren Ambrose, Paul Dano, and Chris Cooper. They each have their own personality that compliments their physical and emotional characteristics.
Aside from the monsters, I was very impressed with Max. He is asked to do a very demanding thing: be a kid. That sounds easy, but it is very easily messed up. I'm interested in finding out how much freedom Jonze gave Records in certain scenes that called for him to go "wild". I can imagine directing young actors is not the easiest thing to do, but sometimes you catch a break when you get a talented one.
Giving life to these characters is a spectacular screenplay by Jonze and Dave Eggers (who wrote Away We Go). Their writing speaks to both kids and adults, using language that is meaningful and easy to understand. The things Max goes through every child feels growing up: loneliness, fear, belonging, etc.
There is so much to love about this movie. It speaks to the heart. But before you head out with the whole family, heed this warning. Some parts of this film might be too intense for younger audience members. Certain scene involving the monsters might be a bit too overwhelming. Yes, these monsters are friendly, but they are monsters, meaning they are large, intimidating, and somewhat scary.
Where the Wild Things Are will satisfy, entertain, and open your eyes. Spike Jonze poured everything he had into this film and the wait was well worth it. I hope you will fall under its spell just as I did.
- moviemanMA
- 16 de out. de 2009
- Link permanente
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Donde viven los monstruos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 77.233.467
- Fim de semana de estreia nos EUA e Canadá
- US$ 32.695.407
- 18 de out. de 2009
- Faturamento bruto mundial
- US$ 100.140.916
- Tempo de duração1 hora 41 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What is the Japanese language plot outline for Onde Vivem os Monstros (2009)?
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