Perfume: A História de um Assassino
Na França do século XVIII, Jean Baptiste Grenouille nasceu com um olfato apuradíssimo e usa recursos sombrios para criar um perfume que capte a essência de uma mulher.Na França do século XVIII, Jean Baptiste Grenouille nasceu com um olfato apuradíssimo e usa recursos sombrios para criar um perfume que capte a essência de uma mulher.Na França do século XVIII, Jean Baptiste Grenouille nasceu com um olfato apuradíssimo e usa recursos sombrios para criar um perfume que capte a essência de uma mulher.
- Prêmios
- 15 vitórias e 20 indicações no total
- Driver
- (as Walter Cots Wangüemert)
Enredo
Você sabia?
- CuriosidadesThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- Erros de gravaçãoThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Citações
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- Trilhas sonorasTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.
There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.
Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.
I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.
I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.
- ccthemovieman-1
- 25 de jul. de 2007
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Perfume: The Story of a Murderer
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.223.293
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.079
- 31 de dez. de 2006
- Faturamento bruto mundial
- US$ 135.039.924
- Tempo de duração2 horas 27 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1