Os brinquedos são dados por erro a uma creche, Woody junto com os outros brinquedos tentaram voltar a casa do Andy.Os brinquedos são dados por erro a uma creche, Woody junto com os outros brinquedos tentaram voltar a casa do Andy.Os brinquedos são dados por erro a uma creche, Woody junto com os outros brinquedos tentaram voltar a casa do Andy.
- Ganhou 2 Oscars
- 63 vitórias e 96 indicações no total
Tim Allen
- Buzz Lightyear
- (narração)
Joan Cusack
- Jessie
- (narração)
Ned Beatty
- Lotso
- (narração)
Don Rickles
- Mr. Potato Head
- (narração)
Michael Keaton
- Ken
- (narração)
Wallace Shawn
- Rex
- (narração)
John Ratzenberger
- Hamm
- (narração)
Estelle Harris
- Mrs. Potato Head
- (narração)
John Morris
- Andy
- (narração)
Jodi Benson
- Barbie
- (narração)
Emily Ricks Hahn
- Bonnie
- (narração)
- (as Emily Hahn)
Laurie Metcalf
- Andy's Mom
- (narração)
Blake Clark
- Slinky Dog
- (narração)
Teddy Newton
- Chatter Telephone
- (narração)
Bud Luckey
- Chuckles
- (narração)
Bea Miller
- Molly
- (narração)
- (as Beatrice Miller)
Javier Fernández-Peña
- Spanish Buzz
- (narração)
Deadly Dolls and Terrifying Toys
Deadly Dolls and Terrifying Toys
From a simple wind-up monkey to the high-tech terrors of M3GAN, these disturbing playthings left us with nightmares.
Enredo
Você sabia?
- CuriosidadesA stuffed bear resembling Lotso can be seen in Toy Story (1995) during the staff meeting. Woody asks if the toys "up on the shelf can hear" him, and we see a shot of a big, pinkish bear. John Lasseter wanted to use Lotso in the original Toy Story, but Pixar had trouble getting the fur right.
- Erros de gravaçãoWhen the toys are close to the industrial shredder, Slinky Dog is first pulled to the ceiling. Realizing the pull is due to a magnet the other toys grab metal objects to get pulled up and escape the shredder. On the other side of the shredder, the toys release the metal objects and fall back to the conveyor belt, inexplicably Slinky is there with them and the magnet seems to no longer affect him.
- Cenas durante ou pós-créditosDuring the beginning of the ending credits, it is shown what becomes of Sunnyside and Andy's toys. Jessie turns on a Spanish version of "You've a Friend in Me" and dances a paso doble with Buzz.
- Versões alternativasThe South African version features Jeremy Mansfield (a well-known radio personality) as the voice of Chatter Phone.
- ConexõesEdited from Plano 9 do Espaço Sideral (1957)
Avaliação em destaque
Since I felt none of the other reviews here do the movie justice, I became compelled to write my own. It is the most inspired film I have ever encountered.
The creators of Toy Story 3 have an imagination that is unparalleled. I cannot begin to compare any of the other animated movies that I have ever seen to it. It is a fantasy in an unconventional sense: aside from the talking toys, the environment and settings are typical; commonplace. Yet, the Pixar Team manages to cram every last drop of energy into the incredibly clever story and inventive plot devices out of just common household objects. The animation is so brilliant that it captures shading, lighting, and textures that have yet to be seen on film.
Then, Toy Story 3 becomes a beautiful elaboration on the first two, with very clever character development. Its maturity of relationships is concise but witty: Woody, the wise sheriff, leading the other toys with courage and finesse; a spaceman winning the love of a cowgirl; the loyalty of the dog, slinky; the grumpy married potato and his devoted wife; the superficial relationship of Ken and Barbie; the broken spirit of a lost teddy bear. At the same time, Pixar uses a metaphor that is so strong that it drives the audience to love these characters with all of their hearts. It is a similar emotional complex to a happy puppy who is brought into a home and has nothing on its mind but playing with its youthful owners. But these toys never age, and as its owners, once in their playful youths, leave for work and college, these toys still know nothing more than their youth and happiness of living to one day play again. As you leave for work every morning, your dog doesn't know where you go. And every day, he does nothing more than pray that you come back to see him, every day waiting for you to bring out the ball again for a game of fetch.
Finally comes Pixar's ability to integrate so many emotions - fear, love, action, and comedy, among others - with each having so much vigor in its own right, that the movie becomes a roller coaster of animation and adventure, wound together by the constant movement of setting and storyline, always keeping the audience guessing on what might happen next. It is a brilliant tale; a perfect movie for children and adults alike. I cannot wait to see it again.
The creators of Toy Story 3 have an imagination that is unparalleled. I cannot begin to compare any of the other animated movies that I have ever seen to it. It is a fantasy in an unconventional sense: aside from the talking toys, the environment and settings are typical; commonplace. Yet, the Pixar Team manages to cram every last drop of energy into the incredibly clever story and inventive plot devices out of just common household objects. The animation is so brilliant that it captures shading, lighting, and textures that have yet to be seen on film.
Then, Toy Story 3 becomes a beautiful elaboration on the first two, with very clever character development. Its maturity of relationships is concise but witty: Woody, the wise sheriff, leading the other toys with courage and finesse; a spaceman winning the love of a cowgirl; the loyalty of the dog, slinky; the grumpy married potato and his devoted wife; the superficial relationship of Ken and Barbie; the broken spirit of a lost teddy bear. At the same time, Pixar uses a metaphor that is so strong that it drives the audience to love these characters with all of their hearts. It is a similar emotional complex to a happy puppy who is brought into a home and has nothing on its mind but playing with its youthful owners. But these toys never age, and as its owners, once in their playful youths, leave for work and college, these toys still know nothing more than their youth and happiness of living to one day play again. As you leave for work every morning, your dog doesn't know where you go. And every day, he does nothing more than pray that you come back to see him, every day waiting for you to bring out the ball again for a game of fetch.
Finally comes Pixar's ability to integrate so many emotions - fear, love, action, and comedy, among others - with each having so much vigor in its own right, that the movie becomes a roller coaster of animation and adventure, wound together by the constant movement of setting and storyline, always keeping the audience guessing on what might happen next. It is a brilliant tale; a perfect movie for children and adults alike. I cannot wait to see it again.
- russb216
- 4 de jul. de 2010
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Toy Story 3: An IMAX 3D Experience
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 415.004.880
- Fim de semana de estreia nos EUA e Canadá
- US$ 110.307.189
- 20 de jun. de 2010
- Faturamento bruto mundial
- US$ 1.067.316.101
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1(original & intended ratio, Blu-ray)
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