Uma pequena cidade é tomada por uma praga alienígena, transformando residentes em zumbis e todas as formas de monstros mutantes.Uma pequena cidade é tomada por uma praga alienígena, transformando residentes em zumbis e todas as formas de monstros mutantes.Uma pequena cidade é tomada por uma praga alienígena, transformando residentes em zumbis e todas as formas de monstros mutantes.
- Prêmios
- 2 vitórias e 5 indicações no total
Rob Zombie
- Dr. Karl
- (narração)
Enredo
Você sabia?
- CuriosidadesJenna Fischer, who was married to Gunn at the time, was not originally part of the cast. The actor in her role begged to be released from his contract because he had an offer to shoot a pilot, so Gunn let him go rather than have a performer on set who didn't want to be there. Gunn swapped the character's gender and gave her a few more lines. By the time the movie was released Fischer had become immensely popular from The Office, so she was the one who went on The Tonight Show the night before the film opened.
- Erros de gravaçãoWhen the zombies grab Starla from Bill's wrecked car, Bill calls "Carla, Carla!", instead of Starla.
- Cenas durante ou pós-créditosAt the very end of the credits there is an additional scene involving a curious cat and the remains of the alien slug creature.
- Versões alternativasThe film was heavily censored by the CBFC in India for a 'U/A' (parental guidance) rating.
- Deleted the visuals of people eating flesh.
- Deleted all the visuals of people using word "fuck" and "bitch".
- Deleted the visuals of blotted woman breaking up.
- Deleted the visuals of of blood soaked face and visuals of lady spurting blood.
- Deleted the visuals of the lady in the tub (visuals from top).
- Deleted the visuals of cop shooting in leg.
- Deleted the visuals of dog attacking cop.
- Deleted the visuals of man shooting cop.
- Deleted the visuals of cat licking flesh.
- Muted the following words: Fuck, cock and son of a bitch.
- Delete the visuals of Grant and Starla making in bed.
- Deleted the visuals of Starla in bathroom, Grant approaching, and insects coming out from Grant's body.
- Deleted the visuals of infected Grant and Brenda in bed, making love.
- Deleted the visuals of Starla is seeing dead lying dead cat.
- Deleted the visuals of Grant trying to molest a lady.
- Deleted the visuals of police officers are looking at a crushed dead body.
- Deleted the visuals of Mayor going out of a room when Brenda is busted, and insects flooding out in the open.
- Deleted the visuals of a lady in bath tub screams after a bug is seen in the tub.
- Deleted the visuals of a man hit by a car and Mayor saying "bitch is hardcore".
- Deleted the visuals of a woman hitting a dog and saying "motherfucker".
- Deleted the visuals of men and women eating flashes.
- Deleted the visuals of Starla looking at insects.
- Deleted the visuals of creature wrapping Starla including her stabbing the creature and falling aside.
- Deleted the visuals of police officers entering the room full of creatures.
- Deleted the visuals of creatures and infected people. Police officers entering the room, filling gas into the creatures. Starla shoots. Creature is blasting into fire.
- ConexõesFeatured in Fangoria Presents: Slither Behind the Scenes (2006)
- Trilhas sonorasI Find You Cheatin' On Me
Written and Performed by Hank Thompson
Licensed courtesy of Universal Songs of Polygram Entertainment and Soundies Inc.
By Arrangement with DePugh Music
Avaliação em destaque
I think I might enjoy the comedy/horror genre more than the actual horror films they parody. James Gunn, (yes, the man who brought us what I can only imagine are fantastic scripts for Scooby Doo 1 & 2not sure since I would never watch them), has broken into the mix with his film Slither. It appears he understands the appeal these films have and jam-packs it with gore, camp, and humor. The audience can never wonder if what transpires is unintentionally funny because they are too busy thinking about the parts that are unintentionally scary. A comedy, through and through, Gunn gathers a nice group of actors to play up the cheese yet still make us believe they are smack in the middle of the otherworldly situation they are in.
The basic premise here is that an alien life formnot Martians as they are from Mars of coursehas come to Earth to make it its next world for consumption. Our villain inhabits a local and makes him go out to either infect, impregnate, or devour all other forms of meat, human or otherwise, along his journey. This host just happens to be involved in a somewhat loveless marriage with the resident good-looking teacher, who or course is the object of our hero's affection, the chief of police. Once the creature's first mate unleashes his spawn of collective-consciousness worms, the town comes under attack and only the chief, the host's wife, and the obnoxious mayor can save the day.
Amidst all the zombie-turning and the blood, acid spit, and limb jellying, we are treated with some great laughs and one-liners from people who truly know how to deliver the script deadpan for added effectiveness. The great Michael Rooker plays the host body to campy perfection. What role of his hasn't oozed tongue-in-cheek outbursts and over-the-top facial expressions? Gregg Henry takes the unpolished politician to new heights and everything he says gets a laugh as result. Even his introduction in the film, swearing in the midst of his constituents and their children, is a tired gimmick, but still effectively funny. As for our real heroes, we are treated to some good forbidden chemistry between Nathan Fillion and Elizabeth Banks. Fillion is king of sarcasm and always stays in a realistic mode unfazed by the horrors happening around him. Someone else could have allowed the film to become unhinged if they didn't take this role seriously; the comedy relies on this character not seeing the humor around him. With Banks, a favorite of mine who is underused in movies, I was not a big fan of the fake accent, but I guess it does fit the aesthetic of what is going on. And as the mayor says, she is hardcorewhen she kills her first infected assailant, it's priceless.
Definitely more entertaining than expected, I can still understand the lack of love at the box office. The trailers showed that there would be some subversion to the horror with humor, but didn't quite go all the way with it. I'm sure people were confused in what to expect and those who wanted scares were disappointed as were those that wanted pure laughs. To me, Gunn masterfully mixes the two just right for an enjoyable ride in Hicksville, USA during an interstellar battle for supremacy. He gets all the little moments right, the grenade folly, the corny love scene music, and even the extras looking like they are from a backwoods/ incestuous town. The look was right and the delivery just as effective as I laughed pretty much straight through.
The basic premise here is that an alien life formnot Martians as they are from Mars of coursehas come to Earth to make it its next world for consumption. Our villain inhabits a local and makes him go out to either infect, impregnate, or devour all other forms of meat, human or otherwise, along his journey. This host just happens to be involved in a somewhat loveless marriage with the resident good-looking teacher, who or course is the object of our hero's affection, the chief of police. Once the creature's first mate unleashes his spawn of collective-consciousness worms, the town comes under attack and only the chief, the host's wife, and the obnoxious mayor can save the day.
Amidst all the zombie-turning and the blood, acid spit, and limb jellying, we are treated with some great laughs and one-liners from people who truly know how to deliver the script deadpan for added effectiveness. The great Michael Rooker plays the host body to campy perfection. What role of his hasn't oozed tongue-in-cheek outbursts and over-the-top facial expressions? Gregg Henry takes the unpolished politician to new heights and everything he says gets a laugh as result. Even his introduction in the film, swearing in the midst of his constituents and their children, is a tired gimmick, but still effectively funny. As for our real heroes, we are treated to some good forbidden chemistry between Nathan Fillion and Elizabeth Banks. Fillion is king of sarcasm and always stays in a realistic mode unfazed by the horrors happening around him. Someone else could have allowed the film to become unhinged if they didn't take this role seriously; the comedy relies on this character not seeing the humor around him. With Banks, a favorite of mine who is underused in movies, I was not a big fan of the fake accent, but I guess it does fit the aesthetic of what is going on. And as the mayor says, she is hardcorewhen she kills her first infected assailant, it's priceless.
Definitely more entertaining than expected, I can still understand the lack of love at the box office. The trailers showed that there would be some subversion to the horror with humor, but didn't quite go all the way with it. I'm sure people were confused in what to expect and those who wanted scares were disappointed as were those that wanted pure laughs. To me, Gunn masterfully mixes the two just right for an enjoyable ride in Hicksville, USA during an interstellar battle for supremacy. He gets all the little moments right, the grenade folly, the corny love scene music, and even the extras looking like they are from a backwoods/ incestuous town. The look was right and the delivery just as effective as I laughed pretty much straight through.
- jaredmobarak
- 13 de abr. de 2007
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Criaturas rastreras
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.802.450
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.880.270
- 2 de abr. de 2006
- Faturamento bruto mundial
- US$ 12.834.936
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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