Neste suspense de Stephen King, um especialista em desvendar mistérios paranormais está determinado a provar que não há fantasmas no quarto 1408 do Hotel Dolphin.Neste suspense de Stephen King, um especialista em desvendar mistérios paranormais está determinado a provar que não há fantasmas no quarto 1408 do Hotel Dolphin.Neste suspense de Stephen King, um especialista em desvendar mistérios paranormais está determinado a provar que não há fantasmas no quarto 1408 do Hotel Dolphin.
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- 4 vitórias e 12 indicações no total
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Você sabia?
- CuriosidadesIn the movie, Mike Enslin (John Cusack) says to his recorder, "Hotel rooms are just naturally creepy places, don't you think? I mean, how many people have slept in that bed before you? How many of them were sick? How many were losing their minds?" Stephen King wrote this in his explanatory note of 1408 in his compilation book of short stories.
- Erros de gravaçãoWhen Mike Enslin is on the ledge outside, the size of the ledge changes. When there is a shot of just his feet, he appears to only be able to fit half of his foot on the ledge at most, however when there are long shots which include Enslin's feet, they are fully on the ledge and are given about an inch of space. However, as the movie's main theme is based around reality and Mike's (and therefore our) perception of it, this may well be deliberate - the ledge really is wide enough for his feet but to his eyes it's far too narrow, thus heightening his fear.
- Citações
Mike Enslin: [Olin gives Enslin the room key] Most hotels have switched to magnetics. An actual key. That's a nice touch, it's antiquey.
Gerald Olin: We have magnetic cards also, but electronics don't seem to work in 1408. Hope you don't have a pacemaker.
Mike Enslin: [into his tape recorder] General manager claims that the phantom in room interferes...
Gerald Olin: I have *never* used the word "phantom."
Mike Enslin: Oh, I'm sorry. Uh, spirit? Specter?
Gerald Olin: No, you misunderstand. Whatever's in 1408 is nothing like that.
Mike Enslin: Then what is it?
Gerald Olin: It's an evil fucking room.
- Versões alternativas-***Spoiler Alert - Alternate Ending*** The Director's Cut contains a more tragic ending. Mike Enslin sets fire to 1408 but is not rescued by the fire department. Instead, the last we see of him is when he's lying on his back in the burning room and we hear the words of his daughter "everybody dies". The camera zooms in on the numbers on the outside door, just as they melt from the heat. The next scene is at Mike's funeral where his coffin is lowered into the ground right next to his daughter's; just as the visions 1408 prophesied. Lily is there, being consoled by Mike's agent. As the procession ends, Lily walks to her car and is met by Gerald Olin who is carrying a box. Gerald introduces himself and gives his condolences. He says the box contains some of Mike's belongings still left in the room. He offers it to Lily while also trying to explain, with a sense of hope, that Mike's death of was not in vain and that because of his actions no one else will *ever be able to stay in room 1408. Lily, in too much grief to listen, cuts him off and refuses to accept the box. Gerald returns to his car and opens the box, which contains the nightgown that was sent through the fax machine as well and the burned tape recorder. Gerald plays it and hears the same dialog between Mike and his daughter heard at the end of the theatrical release. As he listens, he sees a young girl in his rear-view mirror waving in his direction. He turns around to look at her and catches a brief vision of Mike Enslin in his back seat, hideously burned. Gerald jumps but the vision quickly disappears. He looks back at the girl who has found her dad that was looking for her. Gerald catches his breath, starting his car and driving off. The final scene goes back to room 1408. We see a specter Mike Enslin staring out the window. The last shot is of him finishing his cigarette and walking towards the door just as he vanishes.
- Trilhas sonorasWe've Only Just Begun
Written by Roger Nichols (as Roger S. Nichols) and Paul Williams (as Paul H. Williams)
Performed by The Carpenters
Courtesy of A&M Records
Under license from Universal Music Enterprises
John Cusack gives a tour-de-force performance as Mike Enslin, a successful writer who specializes in the investigation of paranormal activity with a particular emphasis on hotel rooms that have the reputation for being haunted. The twist is that Enslin is, essentially, a nonbeliever who spends most of his time and energy debunking the very subject off which he is making his living. The 1408 of the title refers to a room in a swanky, five-star Manhattan hotel in which, we are told, no fewer than fifty-six guests checked in but never checked out, having met their untimely demises there in the decades since the establishment opened. Determined to put an end to the "foolishness," Enslin moves into the room convinced he will ride out the night in utter peace and safety. He has, of course, another think coming.
As adapted by Matt Greenberg, Scott Alexander and Larry Karaszewski, "1408" succeeds mainly by keeping it straight and simple and by focusing so intensely on the character of Enslin and his relevant back story. The multi-layered plotting keeps us guessing from first moment to last, so that we never quite know whether what Enslin is experiencing is really happening or whether he is suffering some form of mental breakdown brought on by the death of his young daughter and the subsequent breakup of his marriage a few years back. Along with director Mikael Hafstrom, the master craftsmen responsible for the film's phenomenal art direction and sound recording draw us into the strange world they've created where nothing is quite what it appears to be and where we spend most of our time nervously scanning the edges of the frame to see what surprise is next poised to jump out at us.
Cusack, who has long been underrated as a performer, gets the chance to really show us his acting chops in this role. He allows us to clearly see the fear and vulnerability hidden beneath his character's wisecracking, cynical exterior. Samuel L. Jackson and Mary McCormack also excel in the small but crucial roles of the wise hotel manager and Enslin's estranged but faithful wife, respectively.
For those who can remember a time when fright films had more on their minds than simple blood and gore, "1408" is like a refreshing, restorative tonic on a hot summer day.
- Buddy-51
- 2 de jul. de 2007
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- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 1408: Căn Phòng Bí Ẩn
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 71.985.628
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.617.667
- 24 de jun. de 2007
- Faturamento bruto mundial
- US$ 132.963.417
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1