Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.
- Prêmios
- 1 vitória e 2 indicações no total
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
Enredo
Você sabia?
- CuriosidadesIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- Erros de gravaçãoDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Citações
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Cenas durante ou pós-créditosAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- Trilhas sonorasRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
Avaliação em destaque
Push offers a very interesting premise with its wide variety of psychics and the agency trying to keep it all under control and use them. Hong Kong offers an exotic background for the action to take place.
The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.
The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.
Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.
What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.
I wish the premise had been used to tell a better story, in a better way.
The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.
The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.
Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.
What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.
I wish the premise had been used to tell a better story, in a better way.
- Siamois
- 22 de jul. de 2009
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.811.527
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.079.109
- 8 de fev. de 2009
- Faturamento bruto mundial
- US$ 48.858.618
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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