Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.
- Prêmios
- 1 indicação no total
Luz Alexandra Ramos
- Diane
- (as Luz Ramos)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesChristina Ricci said in a 2022 interview that she had no problem being totally nude so much during filming, but what made her uncomfortable was other people being uncomfortable with her being naked. That made her feel really weird. So what she did, which she admitted actors probably wouldn't be allowed to do these days, is just stay naked and not wear a robe between scenes. She'd also go talk to crew members naked because she wanted everybody around her to stop reacting to it, because then she could forget that she was naked. Doing that made it one of the only times she's really felt comfortable being naked on camera.
- Erros de gravaçãoWhen Paul runs toward Anna's grave, he touches a tombstone which starts wobbling from side to side.
- Citações
Anna Taylor: Can I ask you a question?
Eliot Deacon: Yes, of course.
Anna Taylor: Why do we die?
Eliot Deacon: To make life important.
- Trilhas sonorasExit Music: For A Film
Written by Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway
Performed by Radiohead
Produced by Radiohead with Nigel Godrich
Courtesy of Parlophone
Avaliação em destaque
After-Life embraces the mystery/thriller sub-genre of the drama genre's style and refuses to relent even up to and after its conclusion. The film relies on the question of whether or not those in the funeral home are dead or only being led to believe they are dead. Despite having evidence for both sides of this issue displayed throughout the film, you will be left to decide for yourself as to which side you believe. It is possible that both scenarios occur actively in the film. This film has a "Saw" style of lesson-learning involved in the story. It seems that the inability to love is the motive in After-Life whereas the inability to live life is Jigsaw's motive.
While the acting from Justin Long & Christina Ricci is on par with their other performances in recent history, Liam Neeson offer a performance that will rival his performance in Taken. Neeson is the reason this film is so suspenseful because he is able to create a character that can be viewed as delusional, insane, psychotic, or "gifted" without forcing the audience to believe only one of these characteristics.
Entertainment wise this film is not a blockbuster but connects many good directorial and cinemagraphical elements. The musical score is as eerie as John Carpenter's Halloween score. There is not much bad that can be said about this film. The shot choices are sensible and simple without being overtly creative. This is a film that allows the story to evolve on its own and the actors to the story its character.
While the acting from Justin Long & Christina Ricci is on par with their other performances in recent history, Liam Neeson offer a performance that will rival his performance in Taken. Neeson is the reason this film is so suspenseful because he is able to create a character that can be viewed as delusional, insane, psychotic, or "gifted" without forcing the audience to believe only one of these characteristics.
Entertainment wise this film is not a blockbuster but connects many good directorial and cinemagraphical elements. The musical score is as eerie as John Carpenter's Halloween score. There is not much bad that can be said about this film. The shot choices are sensible and simple without being overtly creative. This is a film that allows the story to evolve on its own and the actors to the story its character.
- zhennis
- 19 de out. de 2010
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- After.Life
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 108.595
- Fim de semana de estreia nos EUA e Canadá
- US$ 59.946
- 11 de abr. de 2010
- Faturamento bruto mundial
- US$ 2.425.535
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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