Os Envenenamentos de Salisbury

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

In March of 2018, in the small town of Salisbury in Wiltshire, two Russian spies unleashed a deadly Novichok nerve agent, plunging the town in to a lockdown. Tracey Daszkiewicz (Anne-Marie Duff), the recently appointed local director of Public Health, is thrust in to the spotlight, taking tough decisions in the best interest of her local neighbours and friends, including local DS Nick Bailey (Rafe Spall) who is badly struck down with poisoning, while the situation takes its toll on her home life with her family.

For just under two years now, the whole of the country (and indeed the world) has been forced to adapt to a new way of life, in order to combat the outbreak of a deadly virus, but a couple of years before, in a small town in Wiltshire, a local community was forced to adapt their behaviour to control a situation contained only for them. Even if most of us didn't have to live through it, with the events of the last couple of years, there is at least now a sad air of relatability with this dramatisation of the time by director Saul Dibb.

Initially, in the first episode, Dibb goes for a minimalist, less is more approach, capturing the unfolding events in a docu-drama style fashion, presenting normal, everyday people going about their everyday lives, dealing with their individual problems and dramas, before being thrust in to a major crisis completely out of their control. While this does give it a realistic, outside world feel, it comes at the expense of any real effective character development, leaving us less able to relate and empathise with the characters as we should. He matches the mood and tone of the drama throughout with some appropriate dull, grey lighting, but is less consistent with the character portrayals, which by the second episode have become more screechy and melodramatic.

It's flaws sadly keep it from being the sum of its parts, but it's still elevated by what it gets right, along with some strong, raw lead and supporting performances. ***