Duna: A Profecia

There are a few important things to note about Dune: Prophecy. First, the series is set 10,000 years before the events of the Dune movies. We encounter familiar surnames and begin to understand the origins of many elements that become significant later. That said, the series also introduces some peculiarities that aren't addressed in the films-perhaps because they've been resolved by the time of those events and are no longer essential.

Second, this is a much darker story. While it shares the same slow, atmospheric pacing as the Dune films, it's far more saturated with conspiracies and shadowy power struggles. Although there are several key characters we follow, the central focus is on the Harkonnen sisters and their leadership of the Sisterhood. This is essentially their story, and it's a deeply grim one.

Third, by the time you reach the final episode of Season 1, it becomes clear just how many secrets are woven into the narrative-secrets that are revealed only gradually. Much of this unfolds through jumps back and forth in time. Several characters appear in both their younger and older forms, and the past and present are closely intertwined. Fortunately, the time-switching is handled well and never feels confusing.

I've been looking forward to Dune: Prophecy ever since I first heard about it. Then I saw the trailers and my excitement grew even more. Well, after seeing it I can say that it without a doubt lived up to my expectations. Your expectations have to be realistic though, if you're expecting something as perfect as the Dennis Villenueve directed films then you're going to be disappointed, but if you go into it just expecting a perfectly paced, fascinating series that will keep you thoroughly invested every episode then you'll love it. The world building that takes place and the attention to every detail is as good as it gets for a tv show. This series is best watched binged because I can promise when you finish an episode you can't wait to start the next. You're not going to want to wait a week between episodes, it's that good.

The makers had done their job pretty well by making each episode as interesting as to be excited for the next one, the characters are on the same position for me as much as i loved the story line throughout the each episodes, But there was an exception in finale where i felt all earlier 5 episodes buildup was nothing to be concluded completely but just tell you wait for the years to get the proper pay off to what they started (They could've easily added more episodes, this is not the way how you end a season), not even antagonist and protagonist were concluded for what builded up for....

i'm not completely mad as i am left with the memory of good storyline and characters, every time i watched an episode it was a ride of intense emotions and was connected to all main characters.

So it's 7.8/10 for me.

Dune: Prophecy is an okay series that delivers solid performances and impressive visuals, offering useful context to the Dune cinematic universe. As a prequel, it enriches the lore and sets the stage for the political and religious dynamics of the Bene Gesserit.

But despite its strengths, something feels missing. The show struggles to fully hook you. Emotional engagement is low, and aside from Tula, who stands out with depth and presence, the rest of the characters fall into forgettable, formulaic roles. The world is grand, but the storytelling doesn't quite rise to meet its potential.

If there's a future season, there's hope the series can grow into something more gripping. For now, it's visually rich but narratively underwhelming. Worth a watch for Dune fans, but don't expect to be swept away.

Although I'm not very familiar with Frank Herbert's work, I thoroughly enjoyed Dune: Prophecy as a neutral viewer. The series is visually stunning, with breathtaking imagery and expansive landscapes that translate beautifully to the television screen. The performances are strong, and the production quality is exceptionally high. It's quite remarkable to think that, for just a few euros a month, we now have access to this kind of cinematic storytelling at home.

I understand the critical remarks, especially from those with high expectations or deep knowledge of the original material. But such criticism often overlooks how extraordinary it is that we can watch something of this visual and narrative scale from our own living rooms. Perhaps it's a generational thing-those of us who grew up watching Thunderbirds know that this level of visual spectacle is far from ordinary.

For me, it was an immersive and memorable experience. I'd easily give this series a solid 9.