AVALIAÇÃO DA IMDb
6,6/10
23 mil
SUA AVALIAÇÃO
Um deprimido compositor de jingles de Nova York (Dustin Hoffman) e uma solitária burocrata britânica (Emma Thompson) se encontram por acaso em Londres, e um acaba transformando a vida do out... Ler tudoUm deprimido compositor de jingles de Nova York (Dustin Hoffman) e uma solitária burocrata britânica (Emma Thompson) se encontram por acaso em Londres, e um acaba transformando a vida do outro.Um deprimido compositor de jingles de Nova York (Dustin Hoffman) e uma solitária burocrata britânica (Emma Thompson) se encontram por acaso em Londres, e um acaba transformando a vida do outro.
- Prêmios
- 1 vitória e 3 indicações no total
Daniel Lapaine
- Scott
- (as Daniel LaPaine)
Enredo
Você sabia?
- CuriosidadesAt the wedding banquet, the girl who speaks to Dustin Hoffman and Dame Emma Thompson ("You do know this is the children's table?"), was played by Gaia Wise, Thompson's daughter. Writer and Director Joel Hopkins' daughter is also seated at the table.
- Erros de gravaçãoWhen Harvey first goes back to Heathrow to try and catch his flight to the US, there is a sign behind him as he runs towards the check-in desk that reads "WELCOME TO STANSTED".
- Citações
Kate Walker: I think I'm more comfortable with being disappointed. I think I'm angry at you for trying to take that away.
- Cenas durante ou pós-créditosDuring the final credits there is one more scene added.
- Trilhas sonorasI'm a Mean, Mean Son of a Gun
Written by Ken Barry & Joe Bentley, Jr.
Performed by Kitty Daisy & Lewis (as Kitty, Daisy & Lewis)
Courtesy of Sunday Best Recordings/Peer International Corp.
Avaliação em destaque
On the face of it Last Chance Harvey, helmed by the virtually unknown English director Joel Hopkins, is a mere piece of frippery, a little tale of a chance encounter in an airport between a man and woman of a certain age on the rebound from disappointment, something we've seen dozens of times. But the masterful acting of Emma Thompson and Dustin Hoffman, and the restraint of a script that could be maudlin or cutesy but never is, make the film not only entertaining and watchable but even touched by moments of grace.
Harvey Shine (Hoffman) is a composer of TV jingles who may be out of work. When he goes London to attend his daughter's wedding, he learns she has chosen her stepfather, Brian, to give her away. Amid these humiliations Harvey runs into Kate Walker (Thompson), who works doing surveys of passengers passing through Heathrow.
Thompson is playing an old maid saddled with a mother (the great Aileen Atkins) worried about her "situation" and also suspicious of a Polish neighbor she thinks may be a new Jack the Ripper. She calls all the time. Harvey keeps getting calls from his New York agent, but they're never encouraging. This cell phone shtick is unoriginal wallpaper. None of the developments is thought provoking or surprising. But the film avoids pushing too hard and thus gains credibility, at least in the personalities. Liane Balaban, as Susan, Harvey's daughter and the bride, has a credible restraint and sweetness. She is decent to Harvey, even as she has cooperated in his virtual exclusion from her marriage celebration. Kathy Baker plays Jean, Harvey's ex-wife, with poise and elegance.
At the center is Hoffman. He never plays for bathos. He woos Kate with delicate humor. His sense of defeat is only partial. This may be his "last chance" both to be a presence at his daughter's nuptials and to find a woman who will care about him, but though the screenplay puts him out on a limb, it doesn't coat him in desperation. He takes taxis everywhere, and stays at a nice hotel. He conveys an aura of quiet pluck. His little smiles are never forced; he's good humored. Beyond that, Hoffman has moments of stillness more beautiful than any actor's fussy line readings.
I guess you could call this a bittersweet comedy. Despite a scene that verges on the maudlin when Harvey speaks at the wedding reception, the film's skill is in the way it averts all disasters. The adeptness with which the two principals stay away from ever pushing too hard is the essence of good film acting. Last Chance Harvey may not make a deep impression but that slight memory it leaves behind is a good one. It will do to while away an afternoon. With Dustin and Emma, one is in good hands. _________________
Harvey Shine (Hoffman) is a composer of TV jingles who may be out of work. When he goes London to attend his daughter's wedding, he learns she has chosen her stepfather, Brian, to give her away. Amid these humiliations Harvey runs into Kate Walker (Thompson), who works doing surveys of passengers passing through Heathrow.
Thompson is playing an old maid saddled with a mother (the great Aileen Atkins) worried about her "situation" and also suspicious of a Polish neighbor she thinks may be a new Jack the Ripper. She calls all the time. Harvey keeps getting calls from his New York agent, but they're never encouraging. This cell phone shtick is unoriginal wallpaper. None of the developments is thought provoking or surprising. But the film avoids pushing too hard and thus gains credibility, at least in the personalities. Liane Balaban, as Susan, Harvey's daughter and the bride, has a credible restraint and sweetness. She is decent to Harvey, even as she has cooperated in his virtual exclusion from her marriage celebration. Kathy Baker plays Jean, Harvey's ex-wife, with poise and elegance.
At the center is Hoffman. He never plays for bathos. He woos Kate with delicate humor. His sense of defeat is only partial. This may be his "last chance" both to be a presence at his daughter's nuptials and to find a woman who will care about him, but though the screenplay puts him out on a limb, it doesn't coat him in desperation. He takes taxis everywhere, and stays at a nice hotel. He conveys an aura of quiet pluck. His little smiles are never forced; he's good humored. Beyond that, Hoffman has moments of stillness more beautiful than any actor's fussy line readings.
I guess you could call this a bittersweet comedy. Despite a scene that verges on the maudlin when Harvey speaks at the wedding reception, the film's skill is in the way it averts all disasters. The adeptness with which the two principals stay away from ever pushing too hard is the essence of good film acting. Last Chance Harvey may not make a deep impression but that slight memory it leaves behind is a good one. It will do to while away an afternoon. With Dustin and Emma, one is in good hands. _________________
- Chris Knipp
- 7 de fev. de 2009
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Last Chance Harvey
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.889.042
- Fim de semana de estreia nos EUA e Canadá
- US$ 97.260
- 28 de dez. de 2008
- Faturamento bruto mundial
- US$ 32.568.427
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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