Os moradores de uma ravina solitária no deserto da Califórnia testemunham um fenómeno misterioso e assustador.Os moradores de uma ravina solitária no deserto da Califórnia testemunham um fenómeno misterioso e assustador.Os moradores de uma ravina solitária no deserto da Califórnia testemunham um fenómeno misterioso e assustador.
- Prêmios
- 42 vitórias e 179 indicações no total
Avaliações em destaque
I surmise that the idea for "Nope" came out of a clever idea for a sketch. Imagine a film where the main character says "Nope" to terrifying, unexplainable phenomena instead of rushing forward like a courageous, but dumb movie hero.
Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.
Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.
I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.
To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."
But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.
Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?
Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.
Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.
I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.
To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."
But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.
Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?
The credits have just rolled, and despite running for two hours, it's felt as if it's been on for about four hours.
I can't remember the last time I was so conflicted about a film, the good elements were great, the bad elements were painful, I'll try to be as concise as I can.
I'll start with the great elements, first off, production values are terrific, this is one gorgeously produced film, it looks terrific.
The second aspect that stood out, the acting, Daniel Kaluuya and Keke Palmer were terrific, and I really enjoyed Brandon Perea's performance too.
The storyline itself was a good one, if nothing highly original, I liked that whole monkey scenario, and the way it developed was very satisfying, the sci fi fan in me appreciated several of the key elements, I loved not knowing exactly what was behind that cloud, that aspect worked well.
Unfortunately, it lacked scares, listed as a horror, this was anything but, I wanted thrills and spills, this was more a casual prod. Pacing was definitely an issue, it was just way too slow in parts. Many scenes simply didn't make any sense.
It reminded me of The Cloverfield Paradox, definitely some interesting elements, but too slow and just felt too cobbled together.
Not bad, but it should have been so much better.
5/10.
I can't remember the last time I was so conflicted about a film, the good elements were great, the bad elements were painful, I'll try to be as concise as I can.
I'll start with the great elements, first off, production values are terrific, this is one gorgeously produced film, it looks terrific.
The second aspect that stood out, the acting, Daniel Kaluuya and Keke Palmer were terrific, and I really enjoyed Brandon Perea's performance too.
The storyline itself was a good one, if nothing highly original, I liked that whole monkey scenario, and the way it developed was very satisfying, the sci fi fan in me appreciated several of the key elements, I loved not knowing exactly what was behind that cloud, that aspect worked well.
Unfortunately, it lacked scares, listed as a horror, this was anything but, I wanted thrills and spills, this was more a casual prod. Pacing was definitely an issue, it was just way too slow in parts. Many scenes simply didn't make any sense.
It reminded me of The Cloverfield Paradox, definitely some interesting elements, but too slow and just felt too cobbled together.
Not bad, but it should have been so much better.
5/10.
1. Commentary on exploitative social media accounts that strive for the most clicks regardless of who they negatively impact.
2. Keke Palmer's eccentric performance as Emerald. She should be in way more movies.
3. Daniel Kaluuya's deadpan one liners.
4. Rewatch value, there is build up to each twist and shocking moment. Mysterious and ambiguous scenes become scarier after learning context.
5. Foreshadowing: it is absolutely everywhere. Sometimes done subtly, other times obviously.
6. Subtle details; highly detailed set, script, and outfits, down to the logo on one of the main character's shirt.
7. Sound effects. It goes beyond typical horror noise cues, using unique sounds to build-up scares. The blood curdling screams loudly echoing as the creature flies by are terrifying.
8. Akira motorcycle shot. Thank you Jordan.
2. Keke Palmer's eccentric performance as Emerald. She should be in way more movies.
3. Daniel Kaluuya's deadpan one liners.
4. Rewatch value, there is build up to each twist and shocking moment. Mysterious and ambiguous scenes become scarier after learning context.
5. Foreshadowing: it is absolutely everywhere. Sometimes done subtly, other times obviously.
6. Subtle details; highly detailed set, script, and outfits, down to the logo on one of the main character's shirt.
7. Sound effects. It goes beyond typical horror noise cues, using unique sounds to build-up scares. The blood curdling screams loudly echoing as the creature flies by are terrifying.
8. Akira motorcycle shot. Thank you Jordan.
I hope we are not about to see the Shyamalan effect with Jordan Peele, where the debut film is amazing and everything that follows leaves you scratching your head. I feel like I'm on that road with Peele's body of silver screen work. "Get Out" was a masterpiece, while "Us" jus didn't do it for me and now "Nope!"
Keke Palmer did her thing in the role she played (she is the star of this movie for sure) and Daniel kept up with a good performance in his own right, but the film itself was something outta the Twilight Zone. More of a sci-fi thriller than a horror flick, it had too many holes and unanswered questions for my liking. Peele's approach to filmmaking is amazing, much like Shyamalan, but the stories, like Shyamalan's are starting to fall short of being good films.
Jordan may have dreamt this story and woke up at 5am and jotted down every detail he could remember. And like our weird dreams, they never make any sense and we forget a lot of the details by the time we wake up! Nope was like one of those weird a... dreams!
Keke Palmer did her thing in the role she played (she is the star of this movie for sure) and Daniel kept up with a good performance in his own right, but the film itself was something outta the Twilight Zone. More of a sci-fi thriller than a horror flick, it had too many holes and unanswered questions for my liking. Peele's approach to filmmaking is amazing, much like Shyamalan, but the stories, like Shyamalan's are starting to fall short of being good films.
Jordan may have dreamt this story and woke up at 5am and jotted down every detail he could remember. And like our weird dreams, they never make any sense and we forget a lot of the details by the time we wake up! Nope was like one of those weird a... dreams!
It would have been a good, suspenseful horror movie, leaving you wondering what on earth is happening... IF it hadn't been for the most over-the-top exaggerated extroverted Keke Palmer filling EVERY SINGLE silent moment where you otherwise COULD have been finding out what's going on yourself.
Mysterious things finally start happening, and while you otherwise would have been left with your own thoughts looking at the mystery through Daniel's perspective, the bubble of mystery is instead burst by Keke's SHRILLING vocal outbursts through the entire ordeal.
The exaggerated, comical accent and tone just ENTIRELY kills the otherwise eerie suspense for me.
Every single attempt of horror moment, she manages to kill. No pun intended.
Mysterious things finally start happening, and while you otherwise would have been left with your own thoughts looking at the mystery through Daniel's perspective, the bubble of mystery is instead burst by Keke's SHRILLING vocal outbursts through the entire ordeal.
The exaggerated, comical accent and tone just ENTIRELY kills the otherwise eerie suspense for me.
Every single attempt of horror moment, she manages to kill. No pun intended.
Você sabia?
- CuriosidadesThe very early clip of a jockey riding a horse, which Emerald claims features her and OJ's ancestor, is a real 1878 animated series of photographs, one of the first moving images ever, which has come to be called Sallie Gardner at a Gallop (1878). Sallie Gardner is the name of the horse; the two jockeys were listed as being named "C. Marvin" and "G. Domm." Neither of their identities are known, though they very well could have been black as Emerald claims. In those days many jockeys were black, such as thirteen of the fifteen jockeys racing at the first Kentucky Derby in 1875.
- Erros de gravaçãoAfter the horse Clover is found wandering out in the field, the character O.J. begins to escort the horse back to its home. But once they start walking, the horse's mane changes colors between black and white (indicating two different horses were used). This happens about 45 to 46 minutes into the film.
- Citações
Antlers Holst: This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from.
- Cenas durante ou pós-créditosAt the very end of the credits, a cartoony image/advertisement appears: "Come ride through Jupiter's Claim, as seen in Nope, at Universal Studios Hollywood, only on the World-Famous Studio Tour."
- ConexõesFeatured in Super Bowl LVI (2022)
- Trilhas sonorasLa Vie c'est Chouette
Music by François d'Aime
Lyrics by Pierre Billon
Performed by Jodie Foster
Courtesy of Cinemag Bodard
By arrangement with Editions Montparnasse
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Nope?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 68.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 123.277.080
- Fim de semana de estreia nos EUA e Canadá
- US$ 44.366.910
- 24 de jul. de 2022
- Faturamento bruto mundial
- US$ 171.235.592
- Tempo de duração2 horas 10 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente