Remédio Para Melancolia

Twenty-four hours in the tentative relationship of two young San Franciscans also dealing with the conundrum of being a minority in a rapidly gentrifying city.

Barry Jenkins has described the film's two main characters as "playing out a debate back and forth about identity politics". Each of the two main characters embodies an ideology. Jenkins saw the character of Micah as a man who was always building barriers, whereas Jo thinks that race is a limiter. Accusing Jo of assimilation, Micah strives to reclaim his essential "blackness" as Jo contrastingly claims Micah has a "hang up" about his race and strives to overcome her own.

Roger Ebert gave the film 3.5 out of 4 stars, calling the actors "effortlessly engaging" and the direction "assured"; he also noted the film was "beautifully photographed". Ebert is right on all counts. The acting is superb, very natural, and really shows off Wyatt Cenac as more than a comedian. The direction is strong, and the cinematography is gorgeous, some of the best you will find anywhere, whether in a big budget film or indie.

The discussion of race is great. As a white man, maybe I can't see the issue from the point of view of Micah, Jo or Barry Jenkins. But I love that there's this divide of ideas. Micah is indignant, as he should be, about being a minority. But Jo prefers to look forward. Indeed, how does one define themselves? I don't think of myself as "white", and sometimes not even as a "man", but do these things define me whether or not I choose to accept them?