Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.
- Prêmios
- 1 vitória no total
- Boston bank manager
- (as Christian Mckay)
- Calhoun
- (as Philip Zanden)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesJennifer Lawrence recommended Bradley Cooper for the project. They had worked together previously on O Lado Bom da Vida (2012), and they got along so well that they often spoke about working together again in the future. When Lawrence read the script for this movie, she sent a copy to Cooper and asked if he would do it with her.
- Erros de gravaçãoOn two occasions there are "Zippo" lighters shown and used. The movie takes place in 1929. The "Zippo" company was not founded until 1932 (per their website).
- Citações
Sheriff McDowell: The logging barons always cry "jobs" and "free enterprise," but the truth is, you barely pay enough to put food on the table!
Pemberton: Oh, we pay more than any job these men can get, and that's why there's a line fifty-deep every time there's an opening.
Sheriff McDowell: Openings? Yes, you always have openings, don't you, Mr. Pemberton? Because your camps have killed more men than the war between the States.
- ConexõesFeatured in Projector: Serena/Love, Rosie (2014)
- Trilhas sonorasBeignet Cakewalk
Written by Jeff Ford and Michael Esneault (as Mike Esneault)
Courtesy of FirstCom Music
The story is basically an old fashioned American drama about a man, who manages a timber industry, oppresses his ambition that leads to numerous unfortunate events. The core here is a love story in which its romance is often nonexistent, we hardly get to see how they fully develop their relationship. But there is still an interesting growth within these rich details. But the movie is too scattered with various subplots that each takes over the entirety. There is too many conflicts, like they are mostly separated into a whole new different story, unable to say a single or definite point. The third act becomes a weird flood of consequences that doesn't necessarily gain any deserving depth.
There is so much going on with the story, the film also manages to shift it into several tones. It goes to art-house calmness, a showy drama, and then even has a preposterous climax. The worst of it indeed never fits in to its stunning production values. The film seems to be too reliant on what it has. It has captivating cinematography, impressive production, and even the actors are just doing what they believe they can do to make this movie work. Jennifer Lawrence and Bradley Cooper are the main attraction here, while they try to bring something to the table, the movie remains to be dreary for not letting the two have an actual engaging moment together. The pacing is reasonably slow, but sometimes it becomes an obligation than another moment to thoughtfully breathe.
Serena is a pretty strange film to encounter, one that has its best potentials fall apart into a surprisingly dull cinema. It's still fascinating to see what it has: great cast, striking images, richly defined context, and gripping drama (if only it has more time to actually develop them), but it really doesn't have an exact intention. And the story keeps on going, still failing to be actually engaging. This is an obvious lesson about creating cinematic drama, when things needed real definition on what's going on and who the characters are, than just throwing them away with stuff that could gloss over its half- baked narrative. Even the presence of the ever appealing Jennifer Lawrence and Bradley Cooper couldn't overlook the entire film's unimaginable flaws.
- billygoat1071
- 5 de mar. de 2015
- Link permanente
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 176.391
- Fim de semana de estreia nos EUA e Canadá
- US$ 100.090
- 29 de mar. de 2015
- Faturamento bruto mundial
- US$ 5.092.129
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1