Em uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma banda que vende a droga que altera a realidad... Ler tudoEm uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma banda que vende a droga que altera a realidade.Em uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma banda que vende a droga que altera a realidade.
- Prêmios
- 2 vitórias e 14 indicações
- Direção
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesKarl Urban insisted on riding the Lawmaster motorcycle himself.
- Erros de gravaçãoWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Citações
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConexõesEdited into 5 Second Movies: Dredd 3D (2014)
- Trilhas sonorasJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
Avaliação em destaque
DREDD is the second adaptation of the cult comic book series Judge Dredd, following on from a poorly-received Stallone flick in the '90s (for the record, I thought that version was passable but weak in places, as is the case with a lot of mid-'90s cinema). This one's a lot more gutsy and compelling, thanks to the lean script and emphasis throughout on bloody action and adult entertainment. No pandering to the teenage crowd here.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
- Leofwine_draca
- 21 de out. de 2013
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dredd: O Juiz do Apocalipse
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.414.714
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.278.491
- 23 de set. de 2012
- Faturamento bruto mundial
- US$ 41.037.742
- Tempo de duração1 hora 35 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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