AVALIAÇÃO DA IMDb
5,3/10
7,2 mil
SUA AVALIAÇÃO
Um professor universitário foge para Paris após um escândalo custar-lhe o emprego. Na Cidade da Luz, ele conhece uma viúva que pode estar envolvida em uma série de assassinatos.Um professor universitário foge para Paris após um escândalo custar-lhe o emprego. Na Cidade da Luz, ele conhece uma viúva que pode estar envolvida em uma série de assassinatos.Um professor universitário foge para Paris após um escândalo custar-lhe o emprego. Na Cidade da Luz, ele conhece uma viúva que pode estar envolvida em uma série de assassinatos.
- Prêmios
- 2 indicações no total
Grégory Gadebois
- Lieutenant Children Unit
- (as Grégory Gadebois de la Comédie Française)
Donel Jack'sman
- Customs Officer
- (as Donel Jacks'Man)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesSecond time kristen wash the hair of the Main character. First was The English Patient.
- ConexõesFeatured in The Big Picture: February 2012 (2012)
- Trilhas sonorasTomaszów
Written by Julian Tuwim
Performed bz Ewa Demarczyk
Avaliação em destaque
The Woman in the Fifth (2011)
Well, the reason this movie gets some pretty awful reviews is the utter confusion of the plot. And yet it's a deliberate confusion--which is no excuse. It just means this isn't quite bad filmmaking, but a bad decision or two taken too far.
You see, the main character, played with ease and almost familiarity by Ethan Hawke, is mentally unstable. He seems to have two distinct realities, and these are easily confused by the viewer. And in one of these realities he does terrible things, though it isn't clear because we see those terrible things as innocently as he does (which is to say, not at all, it seems).
The character, Tom Ricks, is an American in Paris, a writer ostensibly in town to find and visit his daughter. But the mother's reaction to his showing up at their house is the first clue that something is wrong. This seemingly smart and very nice fellow scares her to call to the police. We see Ricks run to save himself from arrest but we don't quite know if he's to blame or if the mother is just overreacting.
The fact is the confusions in the movie are overwhelming. Maybe there was a better logic somewhere that an editor, under pressure from a producer or distributor, made much out of. Or maybe it was an artful decision to leave us bewildered, to spend time and emotional energy gathering the pieces and clues. The director, Pawel Pawlikowski, has something of a success or two behind him and so might have pretensions that got the better of things here.
In a way, the movie is better than it's overall impression by the end. There are numerous scenes that show a modern Paris very far removed--and much more revealing--than the glorified city seen in both mainstream French movies and American love letters like Woody Allen's recent time-travel. And the acting is overall restrained and convincing. In its bones, this is a substantial movie. Most of all, the cinematography is superb, some of the best creative stuff I've seen recently, dependent not on creative editing but on smart visual seeing--framing, kinetics, focus, and so on. I think you could watch it on many levels with great pleasure if you knew ahead of time the overall meaning and plot were going to be a mess.
Without forewarning, I'm guessing it leaves mostly frustration and bitterness.
Well, the reason this movie gets some pretty awful reviews is the utter confusion of the plot. And yet it's a deliberate confusion--which is no excuse. It just means this isn't quite bad filmmaking, but a bad decision or two taken too far.
You see, the main character, played with ease and almost familiarity by Ethan Hawke, is mentally unstable. He seems to have two distinct realities, and these are easily confused by the viewer. And in one of these realities he does terrible things, though it isn't clear because we see those terrible things as innocently as he does (which is to say, not at all, it seems).
The character, Tom Ricks, is an American in Paris, a writer ostensibly in town to find and visit his daughter. But the mother's reaction to his showing up at their house is the first clue that something is wrong. This seemingly smart and very nice fellow scares her to call to the police. We see Ricks run to save himself from arrest but we don't quite know if he's to blame or if the mother is just overreacting.
The fact is the confusions in the movie are overwhelming. Maybe there was a better logic somewhere that an editor, under pressure from a producer or distributor, made much out of. Or maybe it was an artful decision to leave us bewildered, to spend time and emotional energy gathering the pieces and clues. The director, Pawel Pawlikowski, has something of a success or two behind him and so might have pretensions that got the better of things here.
In a way, the movie is better than it's overall impression by the end. There are numerous scenes that show a modern Paris very far removed--and much more revealing--than the glorified city seen in both mainstream French movies and American love letters like Woody Allen's recent time-travel. And the acting is overall restrained and convincing. In its bones, this is a substantial movie. Most of all, the cinematography is superb, some of the best creative stuff I've seen recently, dependent not on creative editing but on smart visual seeing--framing, kinetics, focus, and so on. I think you could watch it on many levels with great pleasure if you knew ahead of time the overall meaning and plot were going to be a mess.
Without forewarning, I'm guessing it leaves mostly frustration and bitterness.
- secondtake
- 20 de nov. de 2012
- Link permanente
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- How long is The Woman in the Fifth?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- The Woman in the Fifth
- Locações de filme
- 131 Rue des Poissonniers, Paris 18, Paris, França(Au bon Coin bar and hotel)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 113.800
- Fim de semana de estreia nos EUA e Canadá
- US$ 33.011
- 17 de jun. de 2012
- Faturamento bruto mundial
- US$ 662.887
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Estranha Obsessão (2011) officially released in Canada in English?
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