John McClane viaja para a Rússia para ajudar seu filho rebelde, Jack, apenas para descobrir que ele é um agente da CIA que trabalha disfarçado, fazendo com que pai e filho se unam contra as ... Ler tudoJohn McClane viaja para a Rússia para ajudar seu filho rebelde, Jack, apenas para descobrir que ele é um agente da CIA que trabalha disfarçado, fazendo com que pai e filho se unam contra as forças do submundo.John McClane viaja para a Rússia para ajudar seu filho rebelde, Jack, apenas para descobrir que ele é um agente da CIA que trabalha disfarçado, fazendo com que pai e filho se unam contra as forças do submundo.
- Prêmios
- 5 vitórias e 8 indicações no total
Radivoje Bukvic
- Alik
- (as Rasha Bukvic)
Zolee Ganxsta
- MRAP Driver
- (as Ganxsta Doglegy Zolee)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThis was the first Die Hard film where the original script was explicitly written as an entry in the Die Hard series.
- The first Duro de Matar (1988) film was based the novel "Nothing Lasts Forever" by Roderick Thorp.
- Duro de Matar 2 (1990) was first written as a script based on Walter Wager's novel '58 Minutes'.
- Duro de Matar 3: A Vingança (1995) famously took its basic idea from Jonathan Hensleigh's screenplay Simon Says.
- Duro de Matar 4.0 (2007) was retro-fitted from the original screenplay WW3.com, which was nearly filmed on its own merits before the 9/11 terrorist attacks caused it to be shelved.
- Erros de gravaçãoAll roads leading into the Chernobyl/Pripyat exclusion zone have military checkpoints - yet neither the villains or the heroes seem to have any trouble gaining access.
- Citações
John McClane: The shit we do for our kids. Yippee-ki-yay, motherfucker.
- Versões alternativasThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making a number of cuts to both language and visuals. When the finished version of the film was submitted for formal classification, edits had been made to reduce the number of uses of strong language (both 'f**k' and 'motherf***er') and to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and punches to restrained individuals. The formal submission was consequently classified 12A.
- ConexõesFeatured in The One Show: Episode dated 6 February 2013 (2013)
Avaliação em destaque
In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.
So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.
Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.
The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.
In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.
I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.
Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.
The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.
In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.
I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
- johnnymacbest
- 13 de fev. de 2013
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Duro de matar 5: Un buen día para morir
- Locações de filme
- Budapeste, Hungria(as Moscow, Russia)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 92.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 67.349.198
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.834.845
- 17 de fev. de 2013
- Faturamento bruto mundial
- US$ 304.654.182
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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