Com o destino do mundo em perigo, bom e mau vão chocar na pior batalha, Roland é o único que pode la defender.Com o destino do mundo em perigo, bom e mau vão chocar na pior batalha, Roland é o único que pode la defender.Com o destino do mundo em perigo, bom e mau vão chocar na pior batalha, Roland é o único que pode la defender.
- Prêmios
- 4 indicações no total
José Zúñiga
- Dr. Hotchkiss
- (as José Zuñiga)
Enredo
Você sabia?
- CuriosidadesThe Dark Tower is a series of eight books which span an entire connected universe which links several other books and stories by Stephen King, including Bag of Bones, The Talisman, Black House, The Stand, Everything's Eventual, From a Buick 8, Hearts in Atlantis, Insomnia, The Eyes of the Dragon, and 'Salem's Lot, with minor references to IT, The Mist, and The Shining.
- Erros de gravaçãoRoland starts out with a wounded right arm, using his left to shoot and to pay the doctor with a coin in the hospital, but on the bus he takes pills and drinks a Coke with his right arm while holding his left arm limp.
- Citações
Roland Deschain: I do not aim with my hand. He who aims with his hand has forgotten the face of his father. I aim with my eye. I do not shoot with my hand. He who shoots with his hand has forgotten the face of his father. I shoot with my mind. I do not kill with my gun. He who kills with his gun has forgotten the face of his father. I kill with my heart.
- Cenas durante ou pós-créditosRight at the very end of the credits, you hear the ominous whistle.
- Trilhas sonorasHow Little We Know
Written by Hoagy Carmichael and Johnny Mercer
Performed by The Nick Perito Orchestra (as Nick Perito Orchestra)
Courtesy of Muzak Archives LLC
Avaliação em destaque
This film, which was inspired, not adapted from the Stephen King novels of the same name, takes a sweeping epic, dumbs it down, loses the focus and lazily tries to make it look cool for a younger audience. This film is bad and I went in with an open mind, hoping to find some redeeming qualities about it. While there are some good ideas, I can't help but feel that this will be somewhat heartbreaking for fans of the books who were actually excited to see it.
Jake Chambers is a young boy who suffers from horrific nightmares. In those nightmares, he sees The Man in Black, who kidnaps children and uses a device to suck their minds right out of their head. All in an effort to destroy the Dark Tower. The Dark Tower is the centre of the universe, protecting all worlds from the evil that lies beyond, out in the darkness. Roland, the last of the Gunslingers, soldiers sworn to protect the tower, is on a mission to kill The Man in Black. When Jake discovers a portal that leads to their world, he jumps in and finds Roland. Together they must stop The Man in Black, or their world and all worlds, will end.
I couldn't help but think to myself, that people would never want to see a film that was loosely inspired by The Lord of the Rings. They would much rather see that literary masterpiece adapted to the big screen. Imagine Peter Jackson used the same characters and made a different story, but still slapped the title on it? So I can't help but wonder why they thought it would be a good idea to loosely adapt The Dark Tower and not do a straight adaption from the books. I kind of get the idea they were going for, in regards to how the book series ends, but they missed the mark and by a wide margin.
I'm sure fans of the series would pick up numerous nods to the books here and there, but that is not enough. Graffiti on the wall of Hailing The Crimson King will get a knowing nod from people, but that's it. I'm sure they would rather see the actual story from the books on the screen. Arcel and writer Goldsman, oversimplify an epic story into a 90 some odd minute shoot em up. Sure, it looks cool when Elba reloads his guns, but I want something more than that. It doesn't help that the film essentially has two and a half action sequences, which might look neat to those who haven't seen a film like John Wick.
Elba does his best with the clunky dialogue, but he can't save it. McConaughey chews up the scenery, as expected. His character is "worse than the devil". He can kill people by simply telling them to stop breathing. He does this numerous times. He can catch bullets, incinerate people, basically force anyone to do anything. Mucho powerful. But here's the expository dialogue part "Roland, you've always been immune to my magic, haven't you?" So there you have it, he can't hurt our hero in the "stop breathing" category. He can still use the force to hurl objects at him and watching McConaughey move his hands around to control items like broken glass or rocks is unintentionally comical.
Bad special effects plague this film. There is a sequence at night where a demon, which apparently breaks through the barrier, attacks Roland and Jake. It's hard to make out what it looks like, or what the heck is going on. But in the end does it matter? Who know the Gunslinger will eventually put it out of its misery. I snickered at seeing how bad they rendered humans falling around or getting hit by cars. It only happens a few times in one particular sequences, but it's something that still hasn't been perfected and probably never will.
The entire film feels clunky, unexplained or unexplored. I never got a sense of Roland's world. There are abandoned structures all over and they have no idea what they were used for, but we clearly know they are carnival rides, as does Jake. How does anyone who never read the books have a clue as to what this means. Arcel seems uninterested in exploring that side of the story and instead streamlines it from point A to point B. This isn't a story to do that, especially if the goal is to branch it off into a series. I suspect this will be the only film they make.
With generic action sequences, oversimplification of an epic story, shoddy effects and some questionable performances (Jake's friend is the biggest offender), The Dark Tower is a big missed opportunity. Here is a series that could have been several films, sweeping multiple genres and taking viewers on a ride they probably wouldn't of forgotten. Instead we get this film that I already have forgotten. Ho-hum, despite a big budget, we have yet another King adaption failure.
Jake Chambers is a young boy who suffers from horrific nightmares. In those nightmares, he sees The Man in Black, who kidnaps children and uses a device to suck their minds right out of their head. All in an effort to destroy the Dark Tower. The Dark Tower is the centre of the universe, protecting all worlds from the evil that lies beyond, out in the darkness. Roland, the last of the Gunslingers, soldiers sworn to protect the tower, is on a mission to kill The Man in Black. When Jake discovers a portal that leads to their world, he jumps in and finds Roland. Together they must stop The Man in Black, or their world and all worlds, will end.
I couldn't help but think to myself, that people would never want to see a film that was loosely inspired by The Lord of the Rings. They would much rather see that literary masterpiece adapted to the big screen. Imagine Peter Jackson used the same characters and made a different story, but still slapped the title on it? So I can't help but wonder why they thought it would be a good idea to loosely adapt The Dark Tower and not do a straight adaption from the books. I kind of get the idea they were going for, in regards to how the book series ends, but they missed the mark and by a wide margin.
I'm sure fans of the series would pick up numerous nods to the books here and there, but that is not enough. Graffiti on the wall of Hailing The Crimson King will get a knowing nod from people, but that's it. I'm sure they would rather see the actual story from the books on the screen. Arcel and writer Goldsman, oversimplify an epic story into a 90 some odd minute shoot em up. Sure, it looks cool when Elba reloads his guns, but I want something more than that. It doesn't help that the film essentially has two and a half action sequences, which might look neat to those who haven't seen a film like John Wick.
Elba does his best with the clunky dialogue, but he can't save it. McConaughey chews up the scenery, as expected. His character is "worse than the devil". He can kill people by simply telling them to stop breathing. He does this numerous times. He can catch bullets, incinerate people, basically force anyone to do anything. Mucho powerful. But here's the expository dialogue part "Roland, you've always been immune to my magic, haven't you?" So there you have it, he can't hurt our hero in the "stop breathing" category. He can still use the force to hurl objects at him and watching McConaughey move his hands around to control items like broken glass or rocks is unintentionally comical.
Bad special effects plague this film. There is a sequence at night where a demon, which apparently breaks through the barrier, attacks Roland and Jake. It's hard to make out what it looks like, or what the heck is going on. But in the end does it matter? Who know the Gunslinger will eventually put it out of its misery. I snickered at seeing how bad they rendered humans falling around or getting hit by cars. It only happens a few times in one particular sequences, but it's something that still hasn't been perfected and probably never will.
The entire film feels clunky, unexplained or unexplored. I never got a sense of Roland's world. There are abandoned structures all over and they have no idea what they were used for, but we clearly know they are carnival rides, as does Jake. How does anyone who never read the books have a clue as to what this means. Arcel seems uninterested in exploring that side of the story and instead streamlines it from point A to point B. This isn't a story to do that, especially if the goal is to branch it off into a series. I suspect this will be the only film they make.
With generic action sequences, oversimplification of an epic story, shoddy effects and some questionable performances (Jake's friend is the biggest offender), The Dark Tower is a big missed opportunity. Here is a series that could have been several films, sweeping multiple genres and taking viewers on a ride they probably wouldn't of forgotten. Instead we get this film that I already have forgotten. Ho-hum, despite a big budget, we have yet another King adaption failure.
- Matt_Layden
- 2 de ago. de 2017
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.701.325
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.153.698
- 6 de ago. de 2017
- Faturamento bruto mundial
- US$ 113.231.078
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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