Quando o criador de uma realidade virtual chamada OASIS morre, ele coloca um desafio póstumo a todos os usuários do OASIS para encontrar seu Ovo de Páscoa, que dará ao buscador a fortuna e o... Ler tudoQuando o criador de uma realidade virtual chamada OASIS morre, ele coloca um desafio póstumo a todos os usuários do OASIS para encontrar seu Ovo de Páscoa, que dará ao buscador a fortuna e o controle de seu mundo.Quando o criador de uma realidade virtual chamada OASIS morre, ele coloca um desafio póstumo a todos os usuários do OASIS para encontrar seu Ovo de Páscoa, que dará ao buscador a fortuna e o controle de seu mundo.
- Indicado a 1 Oscar
- 11 vitórias e 57 indicações no total
Enredo
Você sabia?
- CuriosidadesIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind Tubarão (1975) and O Resgate do Soldado Ryan (1998).
- Erros de gravaçãoParzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Monty Python em Busca do Cálice Sagrado (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- Cenas durante ou pós-créditosThe title doesn't appear till about 10 minutes into the movie
- ConexõesFeatured in Kain's Quest: The Terminator (2017)
- Trilhas sonorasJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Avaliação em destaque
Spielberg remains to this day one of the most misunderstood film-makers of his generation. He has been labeled both a peddler of popcorn and a saccharine manipulator (Those who say the latter have clearly forgotten Alex Kitner erupting in a geyser of blood in Jaws, exploding Nazi heads, the horrors of the Holocaust in Schindler and the river of corpses in War of the Worlds).
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
- DanielRobertRoss
- 20 de mar. de 2018
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ready Player One: comienza el juego
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 175.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 137.715.350
- Fim de semana de estreia nos EUA e Canadá
- US$ 41.764.050
- 1 de abr. de 2018
- Faturamento bruto mundial
- US$ 607.874.422
- Tempo de duração2 horas 20 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente