AVALIAÇÃO DA IMDb
6,2/10
68 mil
SUA AVALIAÇÃO
A psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morr... Ler tudoA psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morrido misteriosamente.A psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morrido misteriosamente.
- Prêmios
- 2 indicações no total
Enredo
Você sabia?
- CuriosidadesThe videos of the parapsychological experiments done with Silver at the university mimic those done in real life with Uri Geller at the Stanford Research Institute in the 1970s. These experiments are discussed at length and clips of the actual video are shown in the James Randi documentary, An Honest Liar (2014).
- Erros de gravaçãoTwo times in the movie a traditional camera that uses film is referred to as "analogical." Although analogical is a word, it's not correct in this usage. The word that should have been used is "analog" (or alternate spelling, "analogue")
- Citações
[last lines]
Tom Buckley: You can't deny yourself forever.
- Cenas durante ou pós-créditosAt the end of the ending credits, the film's title flickers in a similar manner to the way light bulbs behave in the presence of psychic activity throughout the film.
- ConexõesFeatured in CineMaverick TV: Episode #1.2 (2012)
- Trilhas sonorasIf Not for You
Written by Bob Dylan (Big Sky Music)
Performed by Olivia Newton-John
Courtesy of Sony/ATV Music Publishing Spain LLC and ONJ Productions, Inc.
By arrangement with PEN Music Group, Inc.
Avaliação em destaque
When you see the cast list for this film, you have to wonder why it never succeeded. Red Lights is not a perfect film by any stretch, but it is still engrossing and approaches the subject matter with a care and detail you wouldn't expect.
In regards to my experience with Spanish and Mexican filmmaking (I bunch them because they seem to have similar artistic tropes) Red Lights possesses much of the same details. Moody lighting, technically sound editing and generally brisk pacing. We get this during the first 2/3 of the film, and then things kind of fall off the track. Cillian Murphy's character is becoming unhinged and possibly the more frenetic pace and editing is meant to match that. Either way it wasn't necessary. Murphy has enough range and chops to bring that energy to the screen.
What I especially loved was Robert De Niro's performance. Hammy, over the top when it needs to be, nuanced and bizarre when the story calls for it. I especially enjoyed the aspects of how Sigourney Weaver and Murphy hunt down and debunk the fake mediums and psychics. It's clear the director has some experience or did massive research on the subject. I appreciate this because we were definitely brought into the world of the skeptics and the believers.
There is really only a couple things I disliked. The music was basic at best, sometimes coming in too hard and melodic. I especially did not like the score for the final scene, which is really the only part of the movie I take issue with. In a perfect world, the score and the Coda would have been removed, and instead the final scene could have played out like The Usual Suspects. Either way, we got the ending we got. I think many people would hold it in higher regard if it wasn't spelled out the way it was. Maybe we will get a directors cut (unless the choices were what the director wanted of course).
The movie won't wow you but it will bring you in. I enjoyed the premise and while the ending was too spelled out... I had no problem with the final resolution.
In regards to my experience with Spanish and Mexican filmmaking (I bunch them because they seem to have similar artistic tropes) Red Lights possesses much of the same details. Moody lighting, technically sound editing and generally brisk pacing. We get this during the first 2/3 of the film, and then things kind of fall off the track. Cillian Murphy's character is becoming unhinged and possibly the more frenetic pace and editing is meant to match that. Either way it wasn't necessary. Murphy has enough range and chops to bring that energy to the screen.
What I especially loved was Robert De Niro's performance. Hammy, over the top when it needs to be, nuanced and bizarre when the story calls for it. I especially enjoyed the aspects of how Sigourney Weaver and Murphy hunt down and debunk the fake mediums and psychics. It's clear the director has some experience or did massive research on the subject. I appreciate this because we were definitely brought into the world of the skeptics and the believers.
There is really only a couple things I disliked. The music was basic at best, sometimes coming in too hard and melodic. I especially did not like the score for the final scene, which is really the only part of the movie I take issue with. In a perfect world, the score and the Coda would have been removed, and instead the final scene could have played out like The Usual Suspects. Either way, we got the ending we got. I think many people would hold it in higher regard if it wasn't spelled out the way it was. Maybe we will get a directors cut (unless the choices were what the director wanted of course).
The movie won't wow you but it will bring you in. I enjoyed the premise and while the ending was too spelled out... I had no problem with the final resolution.
- Agent10
- 22 de jan. de 2021
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- How long is Red Lights?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Poderes Ocultos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 52.624
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.340
- 15 de jul. de 2012
- Faturamento bruto mundial
- US$ 14.107.313
- Tempo de duração1 hora 54 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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