AVALIAÇÃO DA IMDb
7,4/10
29 mil
SUA AVALIAÇÃO
Na cidade de Nova York, uma jovem fica no meio da desagradável batalha por custódia de seus pais.Na cidade de Nova York, uma jovem fica no meio da desagradável batalha por custódia de seus pais.Na cidade de Nova York, uma jovem fica no meio da desagradável batalha por custódia de seus pais.
- Prêmios
- 3 vitórias e 8 indicações no total
Jesse Stone Spadaccini
- Martin
- (as Jesse Spadaccini)
Diana García
- Cecelia
- (as Diana Garcia Soto)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn an interview on the NPR program "Fresh Air", Julianne Moore said that she drew on Courtney Love and Patti Smith for inspiration for her character in this movie, who is (like Love and Smith) a rock star who is also a mother.
- ConexõesFeatured in At the Movies: Episode #10.26 (2013)
- Trilhas sonorasRockabye Baby
Performed by Julianne Moore
Avaliação em destaque
Greetings again from the darkness. An ultra-modern update of the 1897 Henry James novel introduces us to parents we know, but wish we didn't. Steve Coogan plays Beale, a self-absorbed art dealer. Julianne Moore plays Susanna, a self-absorbed rock star. OK, you and I may not know art dealers and rock stars, but we know self-absorbed types and we know they make terrible parents. So not only do we know it, but it's also what Maisie knows.
Five outstanding performances and strong work by co-directors Scott McGhee and David Siegel prevent this one from spinning off into the neverlands of melodramatic muck. Onata Aprile is a wonder as Maisie. She displays none of the typical "movie kid" precociousness. The movie (and James novel) are told from her point of view. We see the fragmented bits and pieces she experiences as her parents fight. Rather than a full story, we share her moments of late pick-ups, early drop-offs and forgotten trips.
Soon enough Beale and Susanna are divorced and the real wars begin. These despicable adults make little effort in hiding their hatred of each other from 6 year old Maisie. It becomes background noise to her life. Further proof of the epic narcissism from both, Beale soon marries Margot the nanny (played by Joanna Vanderham) and Susanna reacts by marrying Lincoln, a band gopher and bartender played by studly Alexander Skarsgard. The most startling moment of the movie occurs when Lincoln first begins playing with Maisie ... it's as if we had almost forgotten what it means to give your attention to a child.
This is not an easy film to watch ... at least if you understand that parenting means putting yourself second. The directors do a wonderful job of showing us how Maisie takes in moments and what memories she makes from these. The neglect and false moments of caring from her parents make her acceptance of the attention to her step-parents even more poignant. We can't help but hope things work out for this little girl and it's a reminder that childhood innocence cannot be recaptured once lost ... and it's worth hanging on to for as long as possible.
Five outstanding performances and strong work by co-directors Scott McGhee and David Siegel prevent this one from spinning off into the neverlands of melodramatic muck. Onata Aprile is a wonder as Maisie. She displays none of the typical "movie kid" precociousness. The movie (and James novel) are told from her point of view. We see the fragmented bits and pieces she experiences as her parents fight. Rather than a full story, we share her moments of late pick-ups, early drop-offs and forgotten trips.
Soon enough Beale and Susanna are divorced and the real wars begin. These despicable adults make little effort in hiding their hatred of each other from 6 year old Maisie. It becomes background noise to her life. Further proof of the epic narcissism from both, Beale soon marries Margot the nanny (played by Joanna Vanderham) and Susanna reacts by marrying Lincoln, a band gopher and bartender played by studly Alexander Skarsgard. The most startling moment of the movie occurs when Lincoln first begins playing with Maisie ... it's as if we had almost forgotten what it means to give your attention to a child.
This is not an easy film to watch ... at least if you understand that parenting means putting yourself second. The directors do a wonderful job of showing us how Maisie takes in moments and what memories she makes from these. The neglect and false moments of caring from her parents make her acceptance of the attention to her step-parents even more poignant. We can't help but hope things work out for this little girl and it's a reminder that childhood innocence cannot be recaptured once lost ... and it's worth hanging on to for as long as possible.
- ferguson-6
- 8 de jun. de 2013
- Link permanente
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- How long is What Maisie Knew?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- What Maisie Knew
- Locações de filme
- The High Line, Manhattan, Nova Iorque, Nova Iorque, EUA(Maisie and Lincoln play at the High Line)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.066.471
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.480
- 5 de mai. de 2013
- Faturamento bruto mundial
- US$ 2.711.379
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Pelos Olhos de Maisie (2012) officially released in India in English?
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