Um viajante misterioso chantageia um jovem agente da TSA (Administração de Segurança dos Transportes) para que ele deixe um pacote perigoso passar pela segurança e entrar em um voo no dia de... Ler tudoUm viajante misterioso chantageia um jovem agente da TSA (Administração de Segurança dos Transportes) para que ele deixe um pacote perigoso passar pela segurança e entrar em um voo no dia de Natal.Um viajante misterioso chantageia um jovem agente da TSA (Administração de Segurança dos Transportes) para que ele deixe um pacote perigoso passar pela segurança e entrar em um voo no dia de Natal.
- Prêmios
- 6 indicações no total
Resumo
Reviewers say 'Carry-On' is often likened to 'Die Hard' for its Christmas setting and action-packed plot. The film explores themes of tension, moral dilemmas, and high-stakes scenarios in an airport. Taron Egerton and Jason Bateman receive praise for their performances and chemistry. However, some critics note plot holes, unrealistic elements, and a lack of originality, arguing the film relies on familiar tropes. Despite these issues, many find 'Carry-On' to be an entertaining, fun action thriller.
Avaliações em destaque
As formulaic a film as you will find. That doesn't mean it's bad. It just means that while this is competently made, it doesn't exhibit an original thought at any point. It's sort of a Die Hard with somewhat of a wimp as the hero. I can't say I've been a big fan of Taron Egerton, our hero here, but his career did seem to take a new and startlingly terrific new direction with Rocketman and the fine mini-series Black Bird, but now there is this?! He does okay here, but it's not the best career move I can think of. Our hero's villain is played by the usually well liked Jason Bateman, but he doesn't fit this role to me and Sofia Carson, speaking of AI, does indeed look like something created by a computer. Danielle Deadwyler does what she's supposed to do well enough, but this is just a paycheck role for someone this talented. Theo Rossi is on the villain's team and stuck in a van wasted for most of the pic, but when he is finally let loose, he is gleefully evil and the most enjoyable of all to watch. The film is as far-fetched as Die Hard, just much lesser thrills, humor and excitement. It does contain some suspense and it is quite watchable and also reminiscent of Die Hard, it all takes place at Christmas!
Okay, so it kept me entertained enough to watch it until the end, however, the ending was very predictable and no twist/shock to make it more interesting. Also, there are some moments where you need to suspend belief as otherwise, you'll be rolling your eyes.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Could we be slowly getting back to the good ol days of mid-90s action thriller's...? I really think we are getting close, it's just the quality isnt quite there just yet. To sustain the level of tension and suspenseful moments throughout takes time, patience and a really tightly paced script. This one has its moments...
As a Netflix produced Christmas time thriller, it was OK... Coming in at 2hrs it maybe overstays it welcome just a tad, however the simple plot, good actors, and one central location for the most part gives it some good points. This was actually a really good late adternoon viewing and you don't need to know anything plot wise going in, or even have seen the trailer or thumbnail on your Netflix homepage. Best to just hit play and let the story unfold as you get into the characters, and their motivations.
I don't think anything could ever top the original speed from 1994, however these types of genre films are very important to any movie fan, especially those who lived through the 90s...
Give this one a go...
As a Netflix produced Christmas time thriller, it was OK... Coming in at 2hrs it maybe overstays it welcome just a tad, however the simple plot, good actors, and one central location for the most part gives it some good points. This was actually a really good late adternoon viewing and you don't need to know anything plot wise going in, or even have seen the trailer or thumbnail on your Netflix homepage. Best to just hit play and let the story unfold as you get into the characters, and their motivations.
I don't think anything could ever top the original speed from 1994, however these types of genre films are very important to any movie fan, especially those who lived through the 90s...
Give this one a go...
Carry On is a deeply disappointing film riddled with flaws that make it unbearable to watch. The acting is abysmally poor, with every actor delivering lines in a stiff, unnatural manner that drains all emotion from the scenes. Emotional moments feel forced, and the performances lack any depth, making it impossible to connect with the characters. The script is equally weak, with a plot that meanders aimlessly and offers no focus or clarity. Scenes feel disconnected, and the pacing drags on unnecessarily. Combined with poor direction and an overall lack of effort, Carry On becomes an absolute waste of time, energy, and patience.
What makes movies for me are good lines and acting, of course. In the beginning part of the film, quite good lines and a good rapport between the Main couple Ethan and Nora. Baddie Jason Bateman's character was well played too. It was also quite eye-opening to see the inner workings of LAX terminal and the baggage areas.
The setting is perfect - LAX on Christmas Eve sprinkled with shades of Die Hard and Bruce Willis!
But then some very implausible things happen which means basically a lot of lazy script writing.
NOTE FOR FUTURE: When you have a gun on a mass terrorist, please shoot him the legs at least and not give them control!
What could have been...
The setting is perfect - LAX on Christmas Eve sprinkled with shades of Die Hard and Bruce Willis!
But then some very implausible things happen which means basically a lot of lazy script writing.
NOTE FOR FUTURE: When you have a gun on a mass terrorist, please shoot him the legs at least and not give them control!
What could have been...
Você sabia?
- CuriosidadesMost watched Netflix movie of 2024 having a total of 42 million views within the first week of its release.
- Erros de gravaçãoThere is no way to open the door of a 737 cargo hold from the inside.
- Cenas durante ou pós-créditosAfter the DreamWorks SKG logo fully appears, the camera moves through the clouds to the Los Angeles International Airport to open the film.
- ConexõesReferenced in Film Junk Podcast: Episode 973: Carry-On (2024)
- Trilhas sonorasSanta Claus Is Comin' to Town
Written by J. Fred Coots, Haven Gillespie
Performed by Bruce Springsteen
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Carry-On?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Carry-On
- Locações de filme
- Nova Orleans, Louisiana, EUA(As Los Angeles)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1
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