Tentando escapar do patriarcado na sociedade italiana do pós-guerra, Delia planeja um ato de rebelião contra seu marido violento.Tentando escapar do patriarcado na sociedade italiana do pós-guerra, Delia planeja um ato de rebelião contra seu marido violento.Tentando escapar do patriarcado na sociedade italiana do pós-guerra, Delia planeja um ato de rebelião contra seu marido violento.
- Prêmios
- 23 vitórias e 19 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
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- CuriosidadesOne month after its release, the film was already the highest grossing Italian movie post-pandemic.
- ConexõesFeatured in Zomergasten: Liesbeth Zegveld (2024)
- Trilhas sonorasAprite le finestre
Written by Virgilio Panzuti and Giuseppe Perotti
Sung by Fiorella Bini
Avaliação em destaque
I will start by saying that I really love Paola Cortellesi, she is one of the finest Italian actresses of these times, capable of offering the greatest laughs and the most bitter tears, thanks to her versatile acting skills.
This happens throughout this film too. She is Delia, a middle-aged woman who lives with her husband, three children and her nasty father-in-law in terribly harsh conditions. She struggles to make ends meet and to sustain her family, while suffering domestic abuse and dreaming of a past love. When her daughter gets engaged to the son of the local café owner, she senses that her she risks embarking in a life of strain and violence, just like hers.
I loved the performances in this film: Paola Cortellesi, Vittorio Mastandrea (one of my favourite actors), Giorgio Colangeli and Emanuela Fanelli. The use of black and white was clever, as it gives the film a poetic look. I also appreciated the bittersweet scenes: tragedy mixed with comedy.
Nevertheless I wouldn't call this a masterpiece as I thought the storyline was a bit forced, especially with the final surprising end, which seems a bit too detached from the rest of the film...
This happens throughout this film too. She is Delia, a middle-aged woman who lives with her husband, three children and her nasty father-in-law in terribly harsh conditions. She struggles to make ends meet and to sustain her family, while suffering domestic abuse and dreaming of a past love. When her daughter gets engaged to the son of the local café owner, she senses that her she risks embarking in a life of strain and violence, just like hers.
I loved the performances in this film: Paola Cortellesi, Vittorio Mastandrea (one of my favourite actors), Giorgio Colangeli and Emanuela Fanelli. The use of black and white was clever, as it gives the film a poetic look. I also appreciated the bittersweet scenes: tragedy mixed with comedy.
Nevertheless I wouldn't call this a masterpiece as I thought the storyline was a bit forced, especially with the final surprising end, which seems a bit too detached from the rest of the film...
- francescabalzani-26183
- 12 de abr. de 2024
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- There's Still Tomorrow
- Locações de filme
- Via Giovanni Battista Bodoni 98, Roma, Lazio, Itália(Delia's family housing)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 8.300.000 (estimativa)
- Faturamento bruto mundial
- US$ 49.606.820
- Tempo de duração1 hora 58 minutos
- Cor
- Proporção
- 1.85 : 1
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