Adicionar um enredo no seu idiomaGarcia is a Cuban-American living in Brooklyn who feels culturally displaced and unlucky in love.Garcia is a Cuban-American living in Brooklyn who feels culturally displaced and unlucky in love.Garcia is a Cuban-American living in Brooklyn who feels culturally displaced and unlucky in love.
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- CuriosidadesFeatures many connections with Heaven Is Now (2016). These similarities include:
- Both films feature crew members Clarke Mayer, Audrey Lorea, Mike DiLorenzo, and Fiona Mifsud, all of whom also worked on Green Eyes (2013).
- Both films feature cast members Dasha Kittredge, Jon Caballero, and Lorea herself.
- Both films feature the same rooftop.
- This film began production two days after Heaven Is Now wrapped.
- The most notable connection is that both films feature Lorea as a character named Claudia who is at a party. The Claudia in Heaven Is Now was named after the Claudia in the Havana In Bushwick script. However, they are two separate characters.
- Citações
The Partygirl: I actually need to go have a bowel movement right now. Is there a bowel movement room around here?
- Cenas durante ou pós-créditosEnd credits appear over a collage of still photos from Cuba.
Avaliação em destaque
Havana in Bushwick has a character who doesn't speak, played by Larry Costa (who can be quite expressive, even or perhaps most in the subtlest moments), but don't let that deter you from seeing this. This character, Jesus Garcia, is 'transported' by a woman into a sort of nether-region where, inspired by Cuba and Havana in particular, can find some creative spark. Then heart of this short film is that it's about what its character is swept up in: finding imagination, or rather having imagination find you. The character also goes to a party on a roof-top (featuring some wonderful singing, with a really exquisite Latin flavor via Audrey Lorea and her musical back-up, she's in a dual role by the way), and here Gabe Rodriguez peppers his style of comic irreverence.
I wouldn't have noticed it so much except it seems to come back in his work - the "voice" in the limbo/hell room in Susie in the Afterlife, or the agent in Q to the 6 Train. Rodriguez has these little characters (Victoria Weinberg in this case, very funny), but then doesn't forget to level this off with the surreal aspects of the story. It's got the flavor of Fellini and Looney Tunes, and to good effect - hell, it even has time to make a diversion with a *Russian* Muse in the nether-region scenes (and thankfully so as Dasha Kittredge, for her brief screen time, is awesome, one of the best cameos of the year), but without it feeling too extraneous. It jumps around and feels loose by design, but it can move from moment and moment and shot to shot like the music that accompanies it: smooth, stylish, and a spirit that hearkens back to Cuba but without pretentiousness. Or, to put it another way, what if Chuck Jones got plopped into Hipster-ish Brooklyn and had to re-imagine I Am Cuba in ten minutes?
In short, it's a lot of fun.
I wouldn't have noticed it so much except it seems to come back in his work - the "voice" in the limbo/hell room in Susie in the Afterlife, or the agent in Q to the 6 Train. Rodriguez has these little characters (Victoria Weinberg in this case, very funny), but then doesn't forget to level this off with the surreal aspects of the story. It's got the flavor of Fellini and Looney Tunes, and to good effect - hell, it even has time to make a diversion with a *Russian* Muse in the nether-region scenes (and thankfully so as Dasha Kittredge, for her brief screen time, is awesome, one of the best cameos of the year), but without it feeling too extraneous. It jumps around and feels loose by design, but it can move from moment and moment and shot to shot like the music that accompanies it: smooth, stylish, and a spirit that hearkens back to Cuba but without pretentiousness. Or, to put it another way, what if Chuck Jones got plopped into Hipster-ish Brooklyn and had to re-imagine I Am Cuba in ten minutes?
In short, it's a lot of fun.
- Quinoa1984
- 21 de jan. de 2013
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- Data de lançamento
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- Central de atendimento oficial
- Idiomas
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração17 minutos
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