As this South African film opens we see police officer Vusi Matsoso accepting a bribe from a speeding motorist. Afterwards he splits the money with his partner, John Smit. As the driver pulls away we see he has a young woman trussed up in the boot of his car. Three years later Matsoso and Smit are more corrupt; they raid a drug den, killing the criminals and taking their drugs to sell to local criminals. Meanwhile there is the murder of another young woman, this time she is an Afrikaner. Racial tensions flare when suspicions fall on her black boyfriend. The events that follow will test Matsoso and Smit's friendship; will they do the right thing or take the easy options?
I thought this was a really solid crime drama. It started really well. We know from the opening scene that our protagonists are corrupt, the only question is whether their corruption is taking bribes for minor offences and robbing drug dealers or whether they will be willing to ruin innocent lives for their own benefit. The story deals with the racial tensions that are inevitably still present in South Africa without feeling as if it is a lecture. The main strength of the film is its acting and direction. Mothusi Magano and Frank Rautenbach really impress as Matsoso and Smit and even those in secondary roles are good. Fabian Medea does a great job directing. The South African landscape adds a lot to the atmosphere of the film; the rugged veldt gives the film the feel of a western at times. While the identity of the man who killed the Afrikaner girl is unlikely to surprise anybody there are a few other moments that do come as a surprise, one time tragically so. Overall I'd definitely recommend this to fans of crime drama looking for something set outside North America or Europe. It would be nice to see more great drama coming out of Africa.
It must be noted that although Netflix suggests this is an English language film most of the dialogue is in subtitled Afrikaans; I didn't find that to be a problem but others might want to be aware before watching.
