AVALIAÇÃO DA IMDb
5,5/10
16 mil
SUA AVALIAÇÃO
Quando os passageiros de um trem são atacados por uma criatura, eles devem se unir para sobreviver até o amanhecer.Quando os passageiros de um trem são atacados por uma criatura, eles devem se unir para sobreviver até o amanhecer.Quando os passageiros de um trem são atacados por uma criatura, eles devem se unir para sobreviver até o amanhecer.
- Prêmios
- 1 vitória e 2 indicações no total
Robert Strange
- Female Werewolf - Hunchback
- (as Robert Nairne)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe werewolves were played by people in prosthetic suits with the exception of the legs, which were done as CGI in post-production.
- Erros de gravaçãoAfter Billy throws the Molotov cocktail, he slowly walks through the flames without his clothes catching on fire or even acknowledging the heat that should be given off.
- Cenas durante ou pós-créditos"No werewolves were harmed in the making of this film"
- Trilhas sonorasDancing Round The Room
Performed by Sweet Beats
Written by Daniel Castles
© Aim Records
Avaliação em destaque
A down on his luck train ticket inspector gets more than he bargained for when his train breaks down and creatures that lurk in the surrounding forest lay siege to diverse group of passengers.
Director Paul Hyett keeps the suspense moving at consistent British rail pace. Echoing Severance, an unlikely band of people have to come together to survive, Hyett handles the blood and gore particularly well with excitedly executed guts and intermittent beasties set ups. The practical special effects are fantastic and out shine the visual CGI shots. The creature design is a mix of Dog Soldiers and mid transformation of the Howling's werewolves and comes off quite creepy when remaining hidden in the dim light. The station and forest setting give the film some weight and Paul E. Francis' music adds impact to the train attack segments.
Writers Mark Huckerby and Nick Ostler offer an appealing idea with the stranded train passengers trapped in the middle of where surrounded by werewolf-like creatures. A minor quibble is that at times Howl is a little choppy and uneven and the character are arguably not as polished as they could be. Lead actor Ed Speleers (channeling Max Beesley) is effective enough as he tries to step up to the mark and control the desperate situation as the characters are picked off one by one.
There's a welcomed extended cameo from Sean Pertwee as the train driver Tony. Sam Gittins (a dead ringer of Taron Egerton) is notable as any everyday student who tries to fix the train. The Descent's Shauna Macdonald also appears as Kate and Elliot Cowan (Alexander) puts in a good performance as unscrupulous Adrian.
Against public expectation and trope, refreshingly it omits the quips of Dog soldiers, WolfCop and American Werewolf in London to name a few. And while it isn't quiet as tense or serious to match the Howling, Late Phases or The Descent somber tone it has feet of its own thanks it's original atmospheric train setting, creature design and gore. The creepy old lady makeup stands out as particularly memorable and eerie.
With a modest budget in a sea of werewolf TV shows, DTV and sub-par sub genre films this stands out as one of the better additions.
Director Paul Hyett keeps the suspense moving at consistent British rail pace. Echoing Severance, an unlikely band of people have to come together to survive, Hyett handles the blood and gore particularly well with excitedly executed guts and intermittent beasties set ups. The practical special effects are fantastic and out shine the visual CGI shots. The creature design is a mix of Dog Soldiers and mid transformation of the Howling's werewolves and comes off quite creepy when remaining hidden in the dim light. The station and forest setting give the film some weight and Paul E. Francis' music adds impact to the train attack segments.
Writers Mark Huckerby and Nick Ostler offer an appealing idea with the stranded train passengers trapped in the middle of where surrounded by werewolf-like creatures. A minor quibble is that at times Howl is a little choppy and uneven and the character are arguably not as polished as they could be. Lead actor Ed Speleers (channeling Max Beesley) is effective enough as he tries to step up to the mark and control the desperate situation as the characters are picked off one by one.
There's a welcomed extended cameo from Sean Pertwee as the train driver Tony. Sam Gittins (a dead ringer of Taron Egerton) is notable as any everyday student who tries to fix the train. The Descent's Shauna Macdonald also appears as Kate and Elliot Cowan (Alexander) puts in a good performance as unscrupulous Adrian.
Against public expectation and trope, refreshingly it omits the quips of Dog soldiers, WolfCop and American Werewolf in London to name a few. And while it isn't quiet as tense or serious to match the Howling, Late Phases or The Descent somber tone it has feet of its own thanks it's original atmospheric train setting, creature design and gore. The creepy old lady makeup stands out as particularly memorable and eerie.
With a modest budget in a sea of werewolf TV shows, DTV and sub-par sub genre films this stands out as one of the better additions.
- amesmonde
- 19 de out. de 2015
- Link permanente
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- How long is Howl?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Howl
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 1.600.000 (estimativa)
- Faturamento bruto mundial
- US$ 477.656
- Tempo de duração1 hora 32 minutos
- Cor
- Proporção
- 2.35 : 1
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