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SUA AVALIAÇÃO
Um casal problemático sai de férias para um belo refúgio, mas circunstâncias bizarras complicam ainda mais a situação.Um casal problemático sai de férias para um belo refúgio, mas circunstâncias bizarras complicam ainda mais a situação.Um casal problemático sai de férias para um belo refúgio, mas circunstâncias bizarras complicam ainda mais a situação.
- Prêmios
- 2 vitórias e 2 indicações no total
Brett Bietz
- Doug
- (narração)
Sean O'Malley
- Dave
- (narração)
Mary Steenburgen
- Mom
- (narração)
Drew Langer
- Brett
- (narração)
Jennifer Spriggs
- Ellen
- (narração)
Charlie McDowell
- Madison
- (narração)
Jeremy Mackie
- Other Male
- (narração)
Liz Lash
- Other Female
- (narração)
Enredo
Você sabia?
- CuriosidadesAbout the script and the way it was performed, Duplass stated, "The way this worked, there (was) about a 50-page document that was the entire movie - the scene beats, everything, locations - except for the actual dialogue in the film. And most of the dialogue you see in the film is improvised. Although in certain scenes, where we have effects and things like that, Justin our writer [Justin Lader] would write out a version of that scene the night before, to give us a good guide, so we could have something to stick to."
- Erros de gravaçãoSophie takes a bottle of wine with her left hand, and the next shot shows her taking it with her right hand.
- ConexõesEdited into Couples Therapy (2014)
- Trilhas sonorasBye Bye Baby
Written and performed by Little Hat Jones
Courtesy of Document Records Ltd and Hull Music Company
Avaliação em destaque
Greetings again from the darkness. Starting out with a typical marriage counseling session, director Charlie McDowell and writer Justin Lader lull us into a movie-going comfort zone based on our experience with such Hollywood fluff as Hope Springs and Couples Retreat. All that should be said at this point is ... not so fast!
A crumbling marriage and the subsequent lack of success with communication, leads therapist (Ted Danson) to recommend a weekend alone at a private country estate. The twists and turns that await Ethan (Mark Duplass) and Sophie (Elisabeth Moss), take marriage counseling to an entirely new spectrum. Sophie wants to reignite that early relationship spark and Ethan just wants things back to normal.
The setting does justice to the legend of beautiful California real estate, but things aren't all they seem as Ethan and Sophie bounce back and forth between the main house and guest house. It's in these moments where the big relationship questions are addressed ... and the script is smart, funny, creative and dark. It's not likely anyone can watch this without having some inner dialogue, and probably even some real discussion afterwards.
Mark Duplass ("The League", Safety Not Guaranteed) and Elisabeth Moss ("Mad Men") not only carry the film, but also take on significant responsibility with wide-ranging personality traits and subtle physical changes. Duplass is exceptional and easy for most guys to relate to in how he handles the challenges. While I've never been a big fan of Ms. Moss, her performance here is quite impressive. Whether "together" or "apart", they complement each other nicely.
The closest comparison I have for this one is Ruby Sparks (2012), but this one will have you questioning what makes a relationship work and what should we really expect in our partner. The idea of recapturing the initial spark is absurd, but that doesn't lessen the need for realistic expectations. For the first feature from director Charlie McDowell (son of Malcolm McDowell and Mary Steenburgen) and writer Justin Lader, the unique and creative approach to such a complex topic make these two people to keep an eye on.
A crumbling marriage and the subsequent lack of success with communication, leads therapist (Ted Danson) to recommend a weekend alone at a private country estate. The twists and turns that await Ethan (Mark Duplass) and Sophie (Elisabeth Moss), take marriage counseling to an entirely new spectrum. Sophie wants to reignite that early relationship spark and Ethan just wants things back to normal.
The setting does justice to the legend of beautiful California real estate, but things aren't all they seem as Ethan and Sophie bounce back and forth between the main house and guest house. It's in these moments where the big relationship questions are addressed ... and the script is smart, funny, creative and dark. It's not likely anyone can watch this without having some inner dialogue, and probably even some real discussion afterwards.
Mark Duplass ("The League", Safety Not Guaranteed) and Elisabeth Moss ("Mad Men") not only carry the film, but also take on significant responsibility with wide-ranging personality traits and subtle physical changes. Duplass is exceptional and easy for most guys to relate to in how he handles the challenges. While I've never been a big fan of Ms. Moss, her performance here is quite impressive. Whether "together" or "apart", they complement each other nicely.
The closest comparison I have for this one is Ruby Sparks (2012), but this one will have you questioning what makes a relationship work and what should we really expect in our partner. The idea of recapturing the initial spark is absurd, but that doesn't lessen the need for realistic expectations. For the first feature from director Charlie McDowell (son of Malcolm McDowell and Mary Steenburgen) and writer Justin Lader, the unique and creative approach to such a complex topic make these two people to keep an eye on.
- ferguson-6
- 19 de ago. de 2014
- Link permanente
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- How long is The One I Love?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The One I Love
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 513.447
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.059
- 24 de ago. de 2014
- Faturamento bruto mundial
- US$ 596.933
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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