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Adicionar um enredo no seu idiomaA look at the life and work of writer/filmmaker Nora Ephron.A look at the life and work of writer/filmmaker Nora Ephron.A look at the life and work of writer/filmmaker Nora Ephron.
- Indicado para 2 Primetime Emmys
- 3 vitórias e 4 indicações no total
Fotos
Amy Adams
- Julie Powell
- (cenas de arquivo)
Stanley Tucci
- Paul Child
- (cenas de arquivo)
Steve Martin
- Philip
- (cenas de arquivo)
Chris Messina
- Eric Powell
- (cenas de arquivo)
- …
Liev Schreiber
- Chris
- (cenas de arquivo)
Diane Keaton
- Georgia
- (cenas de arquivo)
Billy Crystal
- Harry Burns
- (cenas de arquivo)
Lisa Kudrow
- Crystal
- (cenas de arquivo)
- …
Samantha Mathis
- Erica Ingels
- (cenas de arquivo)
Jane Lynch
- Dorothy McWilliams
- (cenas de arquivo)
Enredo
Você sabia?
- CuriosidadesIn a March 2016 interview in Collider, Jacob Bernstein said that the most challenging aspect of this movie's production was the protracted negotiation with his own father, Carl Bernstein, about his appearance in the film. In the movie itself, Jacob Bernstein also says that his parents' divorce stretched on for years and was a great deal more complicated than most divorces in part because of his father's insistence on negotiating on the content of another movie, the film adaptation of Nora Ephron's roman a clef account of their breakup, Heartburn.
- Citações
Nora Ephron: I now believe that what my mother meant was this: When you slip on a banana peel, people laugh at you. But when you tell people you slipped on a banana peel, it's you're a laugh, so you become a hero rather than the victim of the joke. I think that's what she meant. On the other hand, she may merely have meant everything is copy.
- Trilhas sonorasPretty Little Horses Lullabye
from the film Silkwood, Retrato de uma Coragem (1983)
Written by Georges Delerue
Performed by Meryl Streep and Cher
Courtesy of American Broadcasting Music Inc.
Avaliação em destaque
I wandered over to this harmless doc after reading about filmmaker/journalist Jacob Bernstein's recent misogynistic slur regarding The First Lady. Turns out the whole family has a penchant for high profile gossip going as far back as 40s Hollywood for Bernstein, the child of high profile parents Nora Ephron and Carl Bernstein. It's a cautious documentary in spite of Jacob's closeness to the subject as he searches for another side of his mother through family and friends who probably bounced him on their knees as a child. One doubts very much they would reveal any dark secrets to this young man now morphed into documentarian about his mother. Carl, the unctuous old man needs papering over though and haggles with his son about an ex-wife reaching back from the grave to even the score for his miscreant ways.
Daughter of screenwriters, Ephron during the 60s made her bones in the rough and tumble world of NY tabloids and the pages of Esquire in what was an overwhelmingly male dominated occupation. After a well re-viewed fictionalized account (Heartburn) about her marriage to the execrable Bernstein she hit it big as a screenwriter with Oscar noms for Silkwood, When Harry Met Sally and Sleepless in Seattle. She moved on to direction with less success and her lack luster output ran from decent (Sleepless in Seattle) to abysmal (Bewitched, Mixed Nuts).
Passing away at 71 she was a favorite with the NY and Hollywood in-crowd that director Bernstein has privileged access to and there is no shortage of praise from the likes of Tom Hanks, David Geffen, Meg Ryan, Steven Spielberg, Barbara Walters allowing only a quirk here and there (the first husband claims she was prone to hyperbole) to break up the love fest. And this is where the film fails as revealing documentary since the interviewees looking into the face of the subject's child are not about to jump ugly with someone so emotionally involved. If someone did then it ended up on the cutting room floor since nearly all of Everything is Copy is a bouquet tossed at Ephron by a loving son making news these days as a journalist calling the President's wife "a hooker." Mother issues perhaps? We certainly won't get any answers from this saccharine doc.
Daughter of screenwriters, Ephron during the 60s made her bones in the rough and tumble world of NY tabloids and the pages of Esquire in what was an overwhelmingly male dominated occupation. After a well re-viewed fictionalized account (Heartburn) about her marriage to the execrable Bernstein she hit it big as a screenwriter with Oscar noms for Silkwood, When Harry Met Sally and Sleepless in Seattle. She moved on to direction with less success and her lack luster output ran from decent (Sleepless in Seattle) to abysmal (Bewitched, Mixed Nuts).
Passing away at 71 she was a favorite with the NY and Hollywood in-crowd that director Bernstein has privileged access to and there is no shortage of praise from the likes of Tom Hanks, David Geffen, Meg Ryan, Steven Spielberg, Barbara Walters allowing only a quirk here and there (the first husband claims she was prone to hyperbole) to break up the love fest. And this is where the film fails as revealing documentary since the interviewees looking into the face of the subject's child are not about to jump ugly with someone so emotionally involved. If someone did then it ended up on the cutting room floor since nearly all of Everything is Copy is a bouquet tossed at Ephron by a loving son making news these days as a journalist calling the President's wife "a hooker." Mother issues perhaps? We certainly won't get any answers from this saccharine doc.
- st-shot
- 14 de fev. de 2017
- Link permanente
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- How long is Everything Is Copy?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 29 minutos
- Cor
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By what name was Everything Is Copy (2015) officially released in India in English?
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